ENGLISH BY ANGELA KOSTA
Angela Kosta was born in Albania in 1973 and has lived in Italy since 1995. She is a translator, essayist, literary critic and promoter. He has published 11 books: novels, poems and fairy tales in Albanian, Italian and English. His publications have appeared in various literary magazines and newspapers in: Albania, Kosovo, Italy, USA, England, China, Russia, Germany, Saudi Arabia, Lebanon, Algeria, Poland, Australia, Egypt, Greece, Tajikistan, South Korea, Hungary, Poland, etc. Angela Kosta translates and writes articles and interviews for the newspaper “Calabria Live”, Saturno magazine, the newspaper “Le Radici”, the international magazine “Orfeu”, Alessandria Today magazine, the Nacional newspaper, the Gazeta Destinacioni, the Perqasje Italo magazine – Shqiptare, the international magazine Atunis – Belgium, collaborates with magazines in Lebanon, USA, Morocco, etc. Angela Kosta is Ambassador of Culture and Peace in: Bangladesh, Lebanon, Poland, Morocco, Canada, Algeria, Egypt, etc.
1. I think so… For more than 20 years now I have been publishing books and writing both in Italy and also in my native country Albania. In the long journey of writing, formation takes place gradually, maturing in us the pen and thoughts.
2. When I was a child there were many Albanian writers that I liked, but I was particularly attracted by Zhyl Vem’s books. I was fascinated by the wonderful world under the sea.
3. At the age of 6 I wrote my first poem dedicated to my mother. Since I was a child I wrote almost every day: verse and prose.
4. Writing is my oxygen. Without it, it’s as if I don’t live, I don’t eat, I don’t drink, I don’t sleep.
5. My working day starts with translations into Italian or Albanian and sometimes even bilingual. I’ll also do editing and corrections. I pruomovo and publish not only in the newspapers where I am Director and Deputy Director but also in many other newspapers and magazines in which I have been collaborating for a long time.
6. A lot, I would say. With this I choose high-level poets from all over the world. I also adapt to the search for the latest news about contemporary international literature.
7. Freely I would say… I pour when my muse is very alert and active. I mainly deal with
current issues that have been wearing down human beings and our planet lately.
8. It’s the lyrics, the haikus, the rhymes, the verses, the verse.
9. Sometimes I compose irregular verses, elegy, poems. I use metaphors, rhetoric, allegories, oxymorons, images, contrasts a lot like a painting on a canvas with a thousand shades.
10. It wasn’t easy. Sometimes the day ends with other things left half-finished, as writing, translations, publications take up a lot of time. In any case, by planning everything the day before, you can balance the time due to work and the time dedicated to home, family, everyday life.
11. Reading beautiful verses that remain long in the memory. Also writing….
12. There are quite a few, but I will mention a few. Oriana Fallaci, Andrea Cammilleri, John Grisham, Nicola Sparks, etc…
13. Federico Garcia Lorca, Emily Dickinson, Gabriele D’Annunzio, Gianni Rodari, Cesare Pavese, Mihai Eminescu, Herman Hesse, etc…
14. I read Nicolas Sparks, romantic and charming in his narration, Sveva Casati Modigliani, an Italian pen rich in writing, full of colors and values.
15. Horror books. They don’t attract me, they don’t even arouse interest in me.
16. Very difficult I would say. Being an immigrant, I found many doors closed, but life is known to be unpredictable: it closes a door but opens a door. Today everything is different.. I have been working with two publishing houses for a long time.
17. Yes… certainly. But by insisting I managed to publish it and I think that next year I will publish the second edition.
18. Don’t rush. Neither by writing nor by publishing. Time must give time to time. With the verses you have to reconcile the thoughts well, the state of mind, with the publishing house is important, starting from the creation of the cover, promotion, the way the author would be followed step by step in his sales path, because you don’t just have to be able to publish, the satisfaction is to see your book in the hands of many readers.
19. I have written 5 novels, 3 manuscripts and many essays. I have no preference. I write my texts in a simple format because what is important is
what I write, not where I write.
20. I think that’s the desire of all authors. I also have experience in this because I have
promoted various books by signing many autographs to readers.
ABOUT POETRY
1. So many times, yes. I think that pain resides in the soul of many poets and each one tries to externalize it through verses.
2. Living in Italy for more than 28 years, my comprehension of the language has become fluid, without obstacles, on the contrary with my memory, slower, more careful not to forget the grammar of my mother tongue Albanian, a very difficult language.
3. Absolutely not! What I write or read must be completed according to my criteria first and foremost, but also according to those of the society in which we live, as long as it sometimes goes against the tide.
4. Never! That would be very difficult. As I mentioned above, the verses must be free and fluid, expressing what comes from our soul.
5. I would say yes. Every era, as long as it is different, with different ideologies is “witnessed” in a special way by ideologies.
6. Both! One becomes the protagonist, the other a director. By going in symbiosis, they find and manage to give space to our thoughts, dreams, projects…
7. As long as it is extended, sometimes even on a half-shredded piece of paper, it still becomes popular and as controversial as it is, it is known everywhere.
8. Absolutely. Tonality is very important to give the right light to the verses and vice versa: without this light the tonality would become dark, with this the poem would be dull, without any sweetness, it would completely lose its sense and significance.
9. I think a woman goes deeper than being. By endowing more pain, sadness, he animatedly processes all that life offers in itself.
10. If it were true, the apocalypse would not be long in coming.
11. A lot. Since ancient times, the Aedi, Homer also made poetry esteemed, leapfrogging the centuries to reach us today. This also applies to classical and contemporary poetry.
12. Who writes and also who reads. Poet and writer cannot do without each other.
13. Without the whole world. Poetry is life, nature, yesterday, today, tomorrow.
14. I have a very complex experience of this because I have translated hundreds of authors. I’ve always tried to keep their originality, because in every verse there is a piece of their soul. Therefore, by translating carefully, by making available the necessary time, poetry does not lose the slightest originality as long as it is “composed” in another language
15. There are 4 poems but especially the poem dedicated to Woman: mother, daughter,
sister, wife, friend. Hoping and wishing that she will be more protected and esteemed,
because despite living in the twenty-first century, femicide, mistreatment has
unfortunately not decreased but is increasing more and more every day.
16. I would say a lot, especially now that more or less everyone writes, defining
themselves as poets simply with two poems in their reading baggage.
17. Free in soul and light as if I were a feather, for through the verses and in the verses
there is the mirror of karma.
18. It depends… There are some verses that turn us upside down, some written and
read non-stop, and others sometimes left half-baked.
19. The message of existence. Because poetry is virtue, it is the path where we walk paths never explored before.
20. It begins right where it ends because it does not flourish, it does not find space, nor destination. By the time you reach the age of 50, skepticism does not exist, it disappears with half-century maturity.
ABOUT YOUR BOOK
1. With many sacrifices, sometimes even giving up myself, sleep, food, walks, at the same time.
2. It was helpful to read a lot carefully. Exploiting and capturing every single letter, every rhyme, every line, from great authors, classics and contemporaries. The most moneyed and least useful is to get lost behind the search for a suitable publishing house.
3. There are many of my favorite writers, but I would like to point out one in particular: Danielle Steel. Very romantic and wonderful to read. His way of drawing us into his books in a surprising and magnificent way became my inspiration with my writings.
4. My new book of poetry is coming out in Italy, after which I will finish the new novel I have in my hands. Beyond that, I have to finish a children’s fairy tale.
5. Opening a magazine on my own, thus giving space to those poets who compose wonderful verses, but find the doors closed everywhere.
6. My personal experience. Having been seriously ill for four very long years in a row, my consciousness suffered so much.
7. I act calm. Wisdom lies in the person who can tame impulsiveness. Only in this way can we deal with difficult situations. And then there is also prayer, postulated daily and not only in difficult situations.
8. I don’t have a proportion or rule. I decide instantly, starting with something that strikes me deeply, then I elaborate in verse (poetry), or manuscript (novel).
9. Thanks to social media sites, it happens very often. It is really satisfying to receive not only compliments but comparisons, reviews, shares.
10. In addition to being a writer, poet and essayist, I am also a promoter. I read and translate a lot of poetry or prose, also doing editing.
Thank you very much!
đˇāĻāĻŦāĻŋ, āĻāĻā§āĻā§āĻ˛āĻž āĻā§āĻ¸ā§āĻ¤āĻž āĻāĻ āĻŦāĻŋāĻ°āĻ˛ āĻ¸āĻžāĻšāĻŋāĻ¤ā§āĻ¯ āĻā§āĻŦāĻ¨ā§āĻ° āĻāĻ¤āĻŋāĻŦā§āĻ¤ā§āĻ¤đˇ
đˇPOET ANGELA KOSTA A rare literary life storyđˇ
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āĻā§āĻ¸āĻŋāĻā§āĻ¨āĨ¤ āĻāĻāĻž āĻāĻžāĻĄāĻŧāĻž, āĻāĻāĻž āĻ¯ā§āĻ¨ āĻāĻŽāĻŋ āĻŦāĻžāĻāĻāĻŋ āĻ¨āĻž, āĻāĻŽāĻŋ āĻāĻžāĻ āĻ¨āĻž, āĻāĻŽāĻŋ āĻĒāĻžāĻ¨ āĻāĻ°āĻŋ āĻ¨āĻž, āĻāĻŽāĻŋ āĻā§āĻŽāĻžāĻ āĻ¨āĻžāĨ¤
5. āĻāĻŽāĻžāĻ° āĻāĻžāĻā§āĻ° āĻĻāĻŋāĻ¨ āĻļā§āĻ°ā§ āĻšāĻ¯āĻŧ āĻāĻ¤āĻžāĻ˛ā§āĻ¯āĻŧ āĻŦāĻž āĻāĻ˛āĻŦā§āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¨ āĻāĻžāĻˇāĻžāĻ¯āĻŧ āĻ
āĻ¨ā§āĻŦāĻžāĻĻā§āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§ āĻāĻŦāĻ āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻāĻŽāĻ¨āĻāĻŋ āĻĻā§āĻŦāĻŋāĻāĻžāĻˇāĻŋāĻā§āĻāĨ¤ āĻāĻŽāĻŋ āĻ¸āĻŽā§āĻĒāĻžāĻĻāĻ¨āĻž āĻāĻŦāĻ āĻ¸āĻāĻļā§āĻ§āĻ¨ āĻāĻ°āĻŦāĨ¤ āĻāĻŽāĻŋ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻ¯ā§ āĻ¸āĻāĻŦāĻžāĻĻāĻĒāĻ¤ā§āĻ°ā§ āĻĒāĻ°āĻŋāĻāĻžāĻ˛āĻ āĻāĻŦāĻ āĻāĻĒ-āĻĒāĻ°āĻŋāĻāĻžāĻ˛āĻ āĻāĻŋāĻ˛āĻžāĻŽ āĻ¸ā§āĻāĻžāĻ¨ā§āĻ āĻāĻŽāĻŋ āĻĒā§āĻ°ā§āĻāĻŽā§āĻā§ āĻāĻ°āĻŋ āĻāĻŦāĻ āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻŋ, āĻŦāĻ°āĻ āĻāĻ°āĻ āĻ
āĻ¨ā§āĻ āĻ¸āĻāĻŦāĻžāĻĻāĻĒāĻ¤ā§āĻ° āĻ āĻŽā§āĻ¯āĻžāĻāĻžāĻāĻŋāĻ¨ā§āĻ āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻŋ āĻ¯ā§āĻāĻžāĻ¨ā§ āĻāĻŽāĻŋ āĻĻā§āĻ°ā§āĻāĻĻāĻŋāĻ¨ āĻ§āĻ°ā§ āĻ¸āĻšāĻ¯ā§āĻāĻŋāĻ¤āĻž āĻāĻ°ā§ āĻāĻ¸āĻāĻŋāĨ¤
6. āĻ
āĻ¨ā§āĻ, āĻāĻŽāĻŋ āĻŦāĻ˛āĻŦ. āĻāĻāĻŋ āĻĻāĻŋāĻ¯āĻŧā§ āĻāĻŽāĻŋ āĻ¸āĻžāĻ°āĻž āĻŦāĻŋāĻļā§āĻŦā§āĻ° āĻāĻā§āĻ āĻĒāĻ°ā§āĻ¯āĻžāĻ¯āĻŧā§āĻ° āĻāĻŦāĻŋāĻĻā§āĻ° āĻŦā§āĻā§ āĻ¨āĻŋāĻāĨ¤ āĻāĻŽāĻŋ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻ āĻāĻ¨ā§āĻ¤āĻ°ā§āĻāĻžāĻ¤āĻŋāĻ āĻ¸āĻžāĻšāĻŋāĻ¤ā§āĻ¯ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻā§ āĻ¸āĻ°ā§āĻŦāĻļā§āĻˇ āĻ¸āĻāĻŦāĻžāĻĻ āĻ
āĻ¨ā§āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ā§āĻ° āĻ¸āĻžāĻĨā§āĻ āĻāĻžāĻĒ āĻāĻžāĻāĻ¯āĻŧā§ āĻ¨āĻŋāĻāĨ¤
7. āĻ¨āĻŋāĻ°ā§āĻĻā§āĻŦāĻŋāĻ§āĻžāĻ¯āĻŧ āĻāĻŽāĻŋ āĻŦāĻ˛āĻŦ… āĻ¯āĻāĻ¨ āĻāĻŽāĻžāĻ° āĻŽāĻŋāĻāĻ āĻā§āĻŦ āĻ¸āĻ¤āĻ°ā§āĻ āĻāĻŦāĻ āĻ¸āĻā§āĻ°āĻŋāĻ¯āĻŧ āĻĨāĻžāĻā§ āĻ¤āĻāĻ¨ āĻāĻŽāĻŋ āĻĸāĻžāĻ˛āĻžāĻāĨ¤ āĻāĻŽāĻŋ āĻĒā§āĻ°āĻ§āĻžāĻ¨āĻ¤ āĻŽā§āĻāĻžāĻŦā§āĻ˛āĻž
āĻŦāĻ°ā§āĻ¤āĻŽāĻžāĻ¨ āĻ¸āĻŽāĻ¸ā§āĻ¯āĻž āĻ¯āĻž āĻāĻĻāĻžāĻ¨ā§āĻ āĻŽāĻžāĻ¨ā§āĻˇ āĻāĻŦāĻ āĻāĻŽāĻžāĻĻā§āĻ° āĻā§āĻ°āĻšāĻā§ āĻŦāĻŋāĻĒāĻ°ā§āĻ¯āĻ¸ā§āĻ¤ āĻāĻ°ā§ āĻĢā§āĻ˛ā§āĻā§āĨ¤
8. āĻāĻāĻŋ āĻāĻžāĻ¨ā§āĻ° āĻāĻĨāĻž, āĻšāĻžāĻāĻā§āĻ¸, āĻāĻĄāĻŧāĻž, āĻļā§āĻ˛ā§āĻ, āĻĒāĻĻā§āĻ¯āĨ¤
9. āĻŽāĻžāĻā§ āĻŽāĻžāĻā§ āĻāĻŽāĻŋ āĻ
āĻ¨āĻŋāĻ¯āĻŧāĻŽāĻŋāĻ¤ āĻļā§āĻ˛ā§āĻ, āĻāĻĒāĻžāĻā§āĻ¯āĻžāĻ¨, āĻāĻŦāĻŋāĻ¤āĻž āĻ°āĻāĻ¨āĻž āĻāĻ°āĻŋāĨ¤ āĻāĻŽāĻŋ āĻ°ā§āĻĒāĻ, āĻ
āĻ˛āĻā§āĻāĻžāĻ°, āĻ°ā§āĻĒāĻ, āĻ
āĻā§āĻ¸āĻŋāĻŽā§āĻ°āĻ¨, āĻāĻŽā§āĻ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻāĻ°āĻŋ, āĻšāĻžāĻāĻžāĻ° āĻļā§āĻĄ āĻ¸āĻš āĻā§āĻ¯āĻžāĻ¨āĻāĻžāĻ¸ā§ āĻāĻāĻāĻŋ āĻĒā§āĻāĻ¨ā§āĻāĻŋāĻāĻ¯āĻŧā§āĻ° āĻŽāĻ¤ā§ āĻ
āĻ¨ā§āĻāĻāĻž āĻŦā§āĻĒāĻ°ā§āĻ¤ā§āĻ¯āĨ¤
10. āĻāĻāĻž āĻ¸āĻšāĻ āĻāĻŋāĻ˛ āĻ¨āĻž. āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻĻāĻŋāĻ¨āĻāĻŋ āĻ
āĻ°ā§āĻ§-āĻ¸āĻŽāĻžāĻĒā§āĻ¤ āĻ°ā§āĻā§ āĻ
āĻ¨ā§āĻ¯āĻžāĻ¨ā§āĻ¯ āĻāĻŋāĻ¨āĻŋāĻ¸ āĻĻāĻŋāĻ¯āĻŧā§ āĻļā§āĻˇ āĻšāĻ¯āĻŧ, āĻāĻžāĻ°āĻŖ āĻ˛ā§āĻāĻž, āĻ
āĻ¨ā§āĻŦāĻžāĻĻ, āĻĒā§āĻ°āĻāĻžāĻļāĻ¨āĻž āĻ
āĻ¨ā§āĻ āĻ¸āĻŽāĻ¯āĻŧ āĻ¨ā§āĻ¯āĻŧāĨ¤ āĻ¯āĻžāĻ āĻšā§āĻ āĻ¨āĻž āĻā§āĻ¨, āĻāĻā§āĻ° āĻĻāĻŋāĻ¨ āĻ¸āĻŦāĻāĻŋāĻā§ āĻĒāĻ°āĻŋāĻāĻ˛ā§āĻĒāĻ¨āĻž āĻāĻ°ā§, āĻāĻĒāĻ¨āĻŋ āĻāĻžāĻā§āĻ° āĻāĻžāĻ°āĻŖā§ āĻ¸āĻŽāĻ¯āĻŧ āĻāĻŦāĻ āĻŦāĻžāĻĄāĻŧāĻŋ, āĻĒāĻ°āĻŋāĻŦāĻžāĻ°, āĻĻā§āĻ¨āĻ¨ā§āĻĻāĻŋāĻ¨ āĻā§āĻŦāĻ¨ā§ āĻ¨āĻŋāĻŦā§āĻĻāĻŋāĻ¤ āĻ¸āĻŽāĻ¯āĻŧā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻāĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻ°āĻžāĻāĻ¤ā§ āĻĒāĻžāĻ°ā§āĻ¨āĨ¤
11. āĻ¸ā§āĻŽā§āĻ¤āĻŋāĻ¤ā§ āĻĻā§āĻ°ā§āĻāĻāĻžāĻ˛ āĻ§āĻ°ā§ āĻĨāĻžāĻāĻž āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻāĻ¯āĻŧāĻžāĻ¤ āĻĒāĻĄāĻŧāĻžāĨ¤ āĻ¤āĻžāĻ āĻ˛āĻŋāĻāĻāĻŋ….
12. āĻŦā§āĻļ āĻāĻ¯āĻŧā§āĻāĻāĻŋ āĻāĻā§, āĻ¤āĻŦā§ āĻāĻŽāĻŋ āĻāĻ¯āĻŧā§āĻāĻāĻŋ āĻāĻ˛ā§āĻ˛ā§āĻ āĻāĻ°āĻŦāĨ¤ āĻāĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨āĻž āĻĢā§āĻ¯āĻžāĻ˛āĻžāĻ¸āĻŋ, āĻāĻ¨ā§āĻĻā§āĻ°ā§āĻ¯āĻŧāĻž āĻā§āĻ¯āĻžāĻŽāĻŋāĻ˛ā§āĻ°āĻŋ, āĻāĻ¨ āĻā§āĻ°āĻŋāĻļāĻžāĻŽ, āĻ¨āĻŋāĻā§āĻ˛āĻž āĻ¸ā§āĻĒāĻžāĻ°ā§āĻāĻ¸, āĻāĻ¤ā§āĻ¯āĻžāĻĻāĻŋ…
13. āĻĢā§āĻĻā§āĻ°āĻŋāĻā§ āĻāĻžāĻ°ā§āĻ¸āĻŋāĻ¯āĻŧāĻž āĻ˛ā§āĻ°āĻāĻž, āĻāĻŽāĻŋāĻ˛āĻŋ āĻĄāĻŋāĻāĻŋāĻ¨āĻ¸āĻ¨, āĻā§āĻ¯āĻžāĻŦā§āĻ°āĻŋāĻ¯āĻŧā§āĻ˛ āĻĄāĻŋ’āĻāĻ¨ā§āĻā§āĻāĻŋāĻ, āĻāĻŋāĻ¯āĻŧāĻžāĻ¨ā§āĻ¨āĻŋ āĻ°ā§āĻĻāĻžāĻ°āĻŋ, āĻ¸āĻŋāĻāĻžāĻ° āĻĒāĻžāĻā§āĻ¸, āĻŽāĻŋāĻšāĻžāĻ āĻāĻŽāĻŋāĻ¨ā§āĻ¸ā§āĻā§, āĻšāĻžāĻ°āĻŽāĻžāĻ¨ āĻšā§āĻ¸ā§, āĻāĻ¤ā§āĻ¯āĻžāĻĻāĻŋ…
14. āĻāĻŽāĻŋ āĻ¨āĻŋāĻā§āĻ˛āĻžāĻ¸ āĻ¸ā§āĻĒāĻžāĻ°ā§āĻāĻ¸ āĻĒāĻĄāĻŧā§āĻāĻŋ, āĻ¤āĻžāĻ° āĻŦāĻ°ā§āĻŖāĻ¨āĻžāĻ¯āĻŧ āĻ°ā§āĻŽāĻžāĻ¨ā§āĻāĻŋāĻ āĻāĻŦāĻ āĻāĻŽāĻ¨ā§āĻ¯āĻŧ, Sveva Casati Modigliani, āĻ˛ā§āĻāĻžāĻ¯āĻŧ āĻ¸āĻŽā§āĻĻā§āĻ§ āĻāĻāĻāĻŋ āĻāĻ¤āĻžāĻ˛ā§āĻ¯āĻŧ āĻāĻ˛āĻŽ, āĻ°āĻ āĻāĻŦāĻ āĻŽā§āĻ˛ā§āĻ¯āĻŦā§āĻ§ā§ āĻĒāĻ°āĻŋāĻĒā§āĻ°ā§āĻŖāĨ¤
15. āĻšāĻ°āĻ° āĻŦāĻāĨ¤ āĻ¤āĻžāĻ°āĻž āĻāĻŽāĻžāĻā§ āĻāĻāĻ°ā§āĻˇāĻŖ āĻāĻ°ā§ āĻ¨āĻž, āĻāĻŽāĻ¨āĻāĻŋ āĻ¤āĻžāĻ°āĻž āĻāĻŽāĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻāĻā§āĻ°āĻš āĻāĻžāĻāĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤
16. āĻā§āĻŦ āĻāĻ āĻŋāĻ¨ āĻāĻŽāĻŋ āĻŦāĻ˛āĻŦ. āĻāĻāĻāĻ¨ āĻ
āĻāĻŋāĻŦāĻžāĻ¸ā§ āĻšāĻāĻ¯āĻŧāĻžāĻ° āĻāĻžāĻ°āĻŖā§, āĻāĻŽāĻŋ āĻ
āĻ¨ā§āĻ āĻĻāĻ°āĻāĻž āĻŦāĻ¨ā§āĻ§ āĻĒā§āĻ¯āĻŧā§āĻāĻŋ, āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻā§āĻŦāĻ¨ āĻ
āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻžāĻļāĻŋāĻ¤ āĻŦāĻ˛ā§ āĻĒāĻ°āĻŋāĻāĻŋāĻ¤: āĻāĻāĻŋ āĻāĻāĻāĻŋ āĻĻāĻ°āĻāĻž āĻŦāĻ¨ā§āĻ§ āĻāĻ°ā§ āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻāĻāĻāĻŋ āĻĻāĻ°āĻāĻž āĻā§āĻ˛ā§ āĻĻā§āĻ¯āĻŧāĨ¤ āĻāĻ āĻ¸āĻŦāĻāĻŋāĻā§ āĻāĻŋāĻ¨ā§āĻ¨.. āĻāĻŽāĻŋ āĻĻā§āĻ°ā§āĻāĻĻāĻŋāĻ¨ āĻ§āĻ°ā§ āĻĻā§āĻāĻŋ āĻĒā§āĻ°āĻāĻžāĻļāĻ¨āĻž āĻ¸āĻāĻ¸ā§āĻĨāĻžāĻ° āĻ¸āĻžāĻĨā§ āĻāĻžāĻ āĻāĻ°āĻāĻŋāĨ¤
17. āĻšā§āĻ¯āĻžāĻ… āĻ
āĻŦāĻļā§āĻ¯āĻāĨ¤ āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻĒā§āĻĄāĻŧāĻžāĻĒā§āĻĄāĻŧāĻŋ āĻāĻ°ā§ āĻāĻŽāĻŋ āĻāĻāĻŋ āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻ¤ā§ āĻĒā§āĻ°ā§āĻāĻŋ āĻāĻŦāĻ āĻāĻŽāĻŋ āĻŽāĻ¨ā§ āĻāĻ°āĻŋ āĻāĻāĻžāĻŽā§ āĻŦāĻāĻ° āĻāĻŽāĻŋ āĻĻā§āĻŦāĻŋāĻ¤ā§āĻ¯āĻŧ āĻ¸āĻāĻ¸ā§āĻāĻ°āĻŖ āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻŦāĨ¤
18. āĻ¤āĻžāĻĄāĻŧāĻžāĻšā§āĻĄāĻŧāĻž āĻāĻ°āĻŦā§āĻ¨ āĻ¨āĻžāĨ¤ āĻ¨āĻž āĻ˛āĻŋāĻā§ āĻ¨āĻž āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°ā§āĨ¤ āĻ¸āĻŽāĻ¯āĻŧāĻā§ āĻ¸āĻŽāĻ¯āĻŧ āĻĻāĻŋāĻ¤ā§ āĻšāĻŦā§āĨ¤ āĻļā§āĻ˛ā§āĻāĻā§āĻ˛āĻŋāĻ° āĻ¸āĻžāĻĨā§ āĻāĻĒāĻ¨āĻžāĻ° āĻāĻŋāĻ¨ā§āĻ¤āĻžāĻā§āĻ˛āĻŋāĻā§ āĻāĻžāĻ˛āĻāĻžāĻŦā§ āĻŽāĻŋāĻ˛āĻŋāĻ¤ āĻāĻ°āĻ¤ā§ āĻšāĻŦā§, āĻŽāĻ¨ā§āĻ° āĻ
āĻŦāĻ¸ā§āĻĨāĻž, āĻĒā§āĻ°āĻāĻžāĻļāĻ¨āĻž āĻ¸āĻāĻ¸ā§āĻĨāĻžāĻ° āĻ¸āĻžāĻĨā§ āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖ, āĻĒā§āĻ°āĻā§āĻāĻĻ āĻ¤ā§āĻ°āĻŋ āĻĨā§āĻā§ āĻļā§āĻ°ā§ āĻāĻ°ā§ āĻĒā§āĻ°āĻāĻžāĻ°, āĻ˛ā§āĻāĻ āĻ¤āĻžāĻ° āĻŦāĻŋāĻā§āĻ°āĻ¯āĻŧā§āĻ° āĻĒāĻĨā§ āĻ§āĻžāĻĒā§ āĻ§āĻžāĻĒā§ āĻ
āĻ¨ā§āĻ¸āĻ°āĻŖ āĻāĻ°āĻŦā§āĻ¨, āĻāĻžāĻ°āĻŖ āĻāĻĒāĻ¨āĻŋ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻ¤ā§ āĻ¸āĻā§āĻˇāĻŽ āĻšāĻ¤ā§ āĻšāĻŦā§ āĻ¨āĻž, āĻ¸āĻ¨ā§āĻ¤ā§āĻˇā§āĻāĻŋ āĻ
āĻ¨ā§āĻ āĻĒāĻžāĻ āĻā§āĻ° āĻšāĻžāĻ¤ā§ āĻāĻĒāĻ¨āĻžāĻ° āĻŦāĻ āĻĻā§āĻāĻ¤ā§ āĻšāĻ¯āĻŧ.
19. āĻāĻŽāĻŋ 5āĻāĻŋ āĻāĻĒāĻ¨ā§āĻ¯āĻžāĻ¸, 3āĻāĻŋ āĻĒāĻžāĻŖā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ āĻāĻŦāĻ āĻ
āĻ¨ā§āĻ āĻĒā§āĻ°āĻŦāĻ¨ā§āĻ§ āĻ˛āĻŋāĻā§āĻāĻŋāĨ¤ āĻāĻŽāĻžāĻ° āĻā§āĻ¨ āĻĒāĻāĻ¨ā§āĻĻ āĻ¨ā§āĻāĨ¤ āĻāĻŽāĻŋ āĻāĻŽāĻžāĻ° āĻĒāĻžāĻ ā§āĻ¯āĻā§āĻ˛āĻŋ āĻāĻāĻāĻŋ āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻŦāĻŋāĻ¨ā§āĻ¯āĻžāĻ¸ā§ āĻ˛āĻŋāĻāĻŋ āĻāĻžāĻ°āĻŖ āĻ¯āĻž āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖ āĻ¤āĻž āĻšāĻ˛
āĻāĻŽāĻŋ āĻāĻŋ āĻ˛āĻŋāĻāĻŋ, āĻā§āĻĨāĻžāĻ¯āĻŧ āĻ˛āĻŋāĻāĻŋ āĻ¨āĻžāĨ¤
20. āĻāĻŽāĻŋ āĻŽāĻ¨ā§ āĻāĻ°āĻŋ āĻāĻāĻž āĻ¸āĻŦ āĻ˛ā§āĻāĻā§āĻ° āĻāĻā§āĻāĻžāĨ¤ āĻāĻŽāĻžāĻ°āĻ āĻ āĻŦāĻŋāĻˇāĻ¯āĻŧā§ āĻ
āĻāĻŋāĻā§āĻāĻ¤āĻž āĻāĻā§ āĻŦāĻ˛ā§āĻ āĻāĻŽāĻžāĻ° āĻāĻā§, āĻĒāĻžāĻ āĻāĻĻā§āĻ° āĻāĻžāĻā§ āĻ
āĻ¨ā§āĻ āĻ
āĻā§āĻā§āĻ°āĻžāĻĢ āĻ¸ā§āĻŦāĻžāĻā§āĻˇāĻ° āĻāĻ°ā§ āĻŦāĻŋāĻāĻŋāĻ¨ā§āĻ¨ āĻŦāĻ āĻĒā§āĻ°āĻāĻžāĻ° āĻāĻ°ā§āĻā§āĨ¤
āĻāĻŦāĻŋāĻ¤āĻž āĻ¸āĻŽā§āĻĒāĻ°ā§āĻā§
1. āĻ
āĻ¨ā§āĻ āĻŦāĻžāĻ°, āĻšā§āĻ¯āĻžāĻ. āĻāĻŽāĻŋ āĻŽāĻ¨ā§ āĻāĻ°āĻŋ āĻ¯ā§ āĻŦā§āĻ¯āĻĨāĻž āĻ
āĻ¨ā§āĻ āĻāĻŦāĻŋāĻ° āĻāĻ¤ā§āĻŽāĻžāĻ¯āĻŧ āĻŦāĻžāĻ¸ āĻāĻ°ā§ āĻāĻŦāĻ āĻĒā§āĻ°āĻ¤ā§āĻ¯ā§āĻā§āĻ āĻāĻŦāĻŋāĻ¤āĻžāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§ āĻ¤āĻž āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻžāĻ° āĻā§āĻˇā§āĻāĻž āĻāĻ°ā§āĨ¤
2. 28 āĻŦāĻāĻ°ā§āĻ°āĻ āĻŦā§āĻļāĻŋ āĻ¸āĻŽāĻ¯āĻŧ āĻ§āĻ°ā§ āĻāĻ¤āĻžāĻ˛āĻŋāĻ¤ā§ āĻŦāĻ¸āĻŦāĻžāĻ¸ āĻāĻ°ā§, āĻāĻŽāĻžāĻ° āĻāĻžāĻˇāĻž āĻŦā§āĻāĻž āĻ¤āĻ°āĻ˛ āĻšāĻ¯āĻŧā§ āĻāĻ ā§āĻā§, āĻŦāĻžāĻ§āĻž āĻāĻžāĻĄāĻŧāĻžāĻ, āĻāĻŽāĻžāĻ° āĻ¸ā§āĻŽā§āĻ¤āĻŋāĻ° āĻŦāĻŋāĻĒāĻ°ā§āĻ¤ā§, āĻ§ā§āĻ°, āĻāĻŽāĻžāĻ° āĻŽāĻžāĻ¤ā§āĻāĻžāĻˇāĻž āĻāĻ˛āĻŦā§āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¨ā§āĻ° āĻŦā§āĻ¯āĻžāĻāĻ°āĻŖ āĻā§āĻ˛ā§ āĻ¨āĻž āĻ¯āĻžāĻāĻ¯āĻŧāĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻāĻ°āĻ āĻ¸āĻ¤āĻ°ā§āĻ, āĻāĻāĻāĻŋ āĻā§āĻŦ āĻāĻ āĻŋāĻ¨ āĻāĻžāĻˇāĻžāĨ¤
3. āĻāĻā§āĻŦāĻžāĻ°ā§ āĻ¨āĻž! āĻāĻŽāĻŋ āĻ¯āĻž āĻ˛āĻŋāĻāĻŋ āĻŦāĻž āĻĒāĻĄāĻŧāĻŋ āĻ¤āĻž āĻ
āĻŦāĻļā§āĻ¯āĻ āĻāĻŽāĻžāĻ° āĻŽāĻžāĻ¨āĻĻāĻŖā§āĻĄ āĻ
āĻ¨ā§āĻ¸āĻžāĻ°ā§ āĻĒā§āĻ°āĻĨāĻŽ āĻāĻŦāĻ āĻ¸āĻ°ā§āĻŦāĻžāĻā§āĻ°ā§ āĻ¸āĻŽā§āĻĒāĻ¨ā§āĻ¨ āĻāĻ°āĻ¤ā§ āĻšāĻŦā§, āĻ¤āĻŦā§ āĻāĻŽāĻ°āĻž āĻ¯ā§ āĻ¸āĻŽāĻžāĻā§ āĻŦāĻžāĻ¸ āĻāĻ°āĻŋ āĻ¤āĻžāĻ° āĻ
āĻ¨ā§āĻ¸āĻžāĻ°ā§āĻ, āĻ¯āĻ¤āĻā§āĻˇāĻŖ āĻ¨āĻž āĻ¤āĻž āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻā§āĻ¯āĻŧāĻžāĻ°ā§āĻ° āĻŦāĻŋāĻĒāĻ°ā§āĻ¤ā§ āĻ¯āĻžāĻ¯āĻŧāĨ¤
4. āĻāĻāĻ¨āĻ āĻ¨āĻž! āĻ¯ā§ āĻā§āĻŦ āĻāĻ āĻŋāĻ¨ āĻšāĻŦā§. āĻāĻŽāĻŋ āĻāĻĒāĻ°ā§ āĻāĻ˛ā§āĻ˛ā§āĻ āĻāĻ°ā§āĻāĻŋ, āĻāĻ¯āĻŧāĻžāĻ¤āĻā§āĻ˛āĻŋ āĻ
āĻŦāĻļā§āĻ¯āĻ āĻŽā§āĻā§āĻ¤ āĻāĻŦāĻ āĻ¤āĻ°āĻ˛ āĻšāĻ¤ā§ āĻšāĻŦā§, āĻ¯āĻž āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻ¤ā§āĻŽāĻž āĻĨā§āĻā§ āĻāĻ¸ā§ āĻ¤āĻž āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°ā§āĨ¤
5. āĻāĻŽāĻŋ āĻšā§āĻ¯āĻžāĻ āĻŦāĻ˛āĻŦāĨ¤ āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻ¯ā§āĻ, āĻ¯āĻ¤āĻā§āĻˇāĻŖ āĻ¤āĻž āĻāĻŋāĻ¨ā§āĻ¨, āĻāĻŋāĻ¨ā§āĻ¨ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļā§āĻ° āĻ¸āĻžāĻĨā§ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļ āĻĻā§āĻŦāĻžāĻ°āĻž āĻāĻāĻāĻŋ āĻŦāĻŋāĻļā§āĻˇ āĻāĻĒāĻžāĻ¯āĻŧā§ “āĻ¸āĻžāĻā§āĻˇā§” āĻšāĻ¯āĻŧāĨ¤
6. āĻāĻāĻ¯āĻŧ! āĻāĻāĻāĻ¨ āĻšāĻ¨ āĻ¨āĻžāĻ¯āĻŧāĻ, āĻ
āĻ¨ā§āĻ¯āĻāĻ¨ āĻĒāĻ°āĻŋāĻāĻžāĻ˛āĻāĨ¤ āĻ¸āĻŋāĻŽā§āĻŦāĻŋāĻ¯āĻŧāĻžāĻ¸āĻŋāĻ¸ā§ āĻ¯āĻžāĻāĻ¯āĻŧāĻžāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§, āĻ¤āĻžāĻ°āĻž āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻŋāĻ¨ā§āĻ¤āĻžāĻāĻžāĻŦāĻ¨āĻž, āĻ¸ā§āĻŦāĻĒā§āĻ¨, āĻĒā§āĻ°āĻāĻ˛ā§āĻĒāĻā§āĻ˛āĻŋāĻā§ āĻ¸ā§āĻĨāĻžāĻ¨ āĻĻāĻŋāĻ¤ā§ āĻāĻŦāĻ āĻĒāĻ°āĻŋāĻāĻžāĻ˛āĻ¨āĻž āĻāĻ°ā§ …
7. āĻ¯āĻ¤āĻā§āĻˇāĻŖ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻāĻāĻŋ āĻĒā§āĻ°āĻ¸āĻžāĻ°āĻŋāĻ¤ āĻšāĻ¯āĻŧ, āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻāĻŽāĻ¨āĻāĻŋ āĻ
āĻ°ā§āĻ§-āĻāĻŋāĻ¨ā§āĻ¨ āĻāĻžāĻāĻā§āĻ° āĻā§āĻāĻ°ā§āĻ¤ā§āĻ, āĻāĻāĻŋ āĻāĻāĻ¨āĻ āĻāĻ¨āĻĒā§āĻ°āĻŋāĻ¯āĻŧ āĻāĻŦāĻ āĻŦāĻŋāĻ¤āĻ°ā§āĻāĻŋāĻ¤ āĻšāĻ¯āĻŧā§ āĻāĻ ā§, āĻāĻāĻŋ āĻ¸āĻ°ā§āĻŦāĻ¤ā§āĻ° āĻĒāĻ°āĻŋāĻāĻŋāĻ¤āĨ¤
8. āĻāĻā§āĻŦāĻžāĻ°ā§āĨ¤ āĻļā§āĻ˛ā§āĻāĻā§āĻ˛āĻŋāĻ¤ā§ āĻ¸āĻ āĻŋāĻ āĻāĻ˛ā§ āĻĻā§āĻāĻ¯āĻŧāĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻā§āĻ¨āĻžāĻ˛āĻŋāĻāĻŋ āĻā§āĻŦ āĻā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§āĻ°ā§āĻŖ āĻāĻŦāĻ āĻ¤āĻĻā§āĻŦāĻŋāĻĒāĻ°ā§āĻ¤: āĻāĻ āĻāĻ˛ā§ āĻ¨āĻž āĻĨāĻžāĻāĻ˛ā§ āĻā§āĻ¨āĻžāĻ˛āĻŋāĻāĻŋ āĻ
āĻ¨ā§āĻ§āĻāĻžāĻ° āĻšāĻ¯āĻŧā§ āĻ¯āĻžāĻŦā§, āĻāĻ° āĻ¸āĻžāĻĨā§ āĻāĻŦāĻŋāĻ¤āĻžāĻāĻŋ āĻ¨āĻŋāĻ¸ā§āĻ¤ā§āĻ āĻšāĻ¯āĻŧā§ āĻ¯āĻžāĻŦā§, āĻā§āĻ¨āĻ āĻŽāĻžāĻ§ā§āĻ°ā§āĻ¯ āĻāĻžāĻĄāĻŧāĻžāĻ āĻāĻāĻŋ āĻ¤āĻžāĻ° āĻ
āĻ°ā§āĻĨ āĻāĻŦāĻ āĻ¤āĻžāĻ¤ā§āĻĒāĻ°ā§āĻ¯ āĻ¸āĻŽā§āĻĒā§āĻ°ā§āĻŖāĻāĻžāĻŦā§ āĻšāĻžāĻ°āĻŋāĻ¯āĻŧā§ āĻĢā§āĻ˛āĻŦā§āĨ¤
9. āĻāĻŽāĻŋ āĻŽāĻ¨ā§ āĻāĻ°āĻŋ āĻāĻāĻāĻ¨ āĻŽāĻšāĻŋāĻ˛āĻž āĻ¸āĻ¤ā§āĻ¤āĻžāĻ° āĻā§āĻ¯āĻŧā§ āĻāĻā§āĻ°ā§ āĻ¯āĻžāĻ¯āĻŧāĨ¤ āĻāĻ°āĻ āĻŦā§āĻĻāĻ¨āĻž, āĻŦāĻŋāĻˇāĻŖā§āĻŖāĻ¤āĻž āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻāĻ°ā§, āĻ¤āĻŋāĻ¨āĻŋ āĻĒā§āĻ°āĻžāĻŖāĻŦāĻ¨ā§āĻ¤āĻāĻžāĻŦā§ āĻ¸āĻŽāĻ¸ā§āĻ¤ āĻā§āĻŦāĻ¨ āĻ¨āĻŋāĻā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ
āĻĢāĻžāĻ° āĻāĻ°ā§āĻ¨āĨ¤
10. āĻ¯āĻĻāĻŋ āĻāĻāĻŋ āĻ¸āĻ¤ā§āĻ¯ āĻšāĻ¯āĻŧ, āĻ¤āĻžāĻšāĻ˛ā§ āĻŽāĻšāĻžāĻāĻžāĻļ āĻāĻ¸āĻ¤ā§ āĻŦā§āĻļāĻŋ āĻ¸āĻŽāĻ¯āĻŧ āĻ˛āĻžāĻāĻŦā§ āĻ¨āĻžāĨ¤
11. āĻ
āĻ¨ā§āĻāĨ¤ āĻĒā§āĻ°āĻžāĻā§āĻ¨ āĻāĻžāĻ˛ āĻĨā§āĻā§, āĻāĻĄāĻŋ, āĻšā§āĻŽāĻžāĻ°āĻ°āĻžāĻ āĻāĻŦāĻŋāĻ¤āĻžāĻā§ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻāĻ°ā§ āĻ¤ā§āĻ˛ā§āĻā§, āĻļāĻ¤āĻžāĻŦā§āĻĻā§āĻ° āĻĒāĻ° āĻļāĻ¤āĻžāĻŦā§āĻĻā§ āĻĒā§āĻ°āĻŋāĻ¯āĻŧā§ āĻāĻ āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻžāĻā§ āĻĒā§āĻāĻā§āĻā§āĨ¤ āĻāĻāĻž āĻā§āĻ˛āĻžāĻ¸āĻŋāĻā§āĻ¯āĻžāĻ˛ āĻāĻŦāĻ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻ āĻāĻŦāĻŋāĻ¤āĻžāĻ° āĻā§āĻˇā§āĻ¤ā§āĻ°ā§āĻ āĻĒā§āĻ°āĻ¯ā§āĻā§āĻ¯āĨ¤
12. āĻā§ āĻ˛ā§āĻā§ āĻāĻŦāĻ āĻā§ āĻĒāĻĄāĻŧā§āĨ¤ āĻāĻŦāĻŋ āĻ āĻ˛ā§āĻāĻ āĻāĻā§ āĻ
āĻĒāĻ°āĻā§ āĻāĻžāĻĄāĻŧāĻž āĻāĻ˛āĻ¤ā§ āĻĒāĻžāĻ°ā§ āĻ¨āĻžāĨ¤
13. āĻ¸āĻŽāĻā§āĻ° āĻŦāĻŋāĻļā§āĻŦ āĻāĻžāĻĄāĻŧāĻž. āĻāĻŦāĻŋāĻ¤āĻž āĻā§āĻŦāĻ¨, āĻĒā§āĻ°āĻā§āĻ¤āĻŋ, āĻāĻ¤āĻāĻžāĻ˛, āĻāĻ, āĻāĻāĻžāĻŽā§āĻāĻžāĻ˛āĨ¤
14. āĻāĻŽāĻžāĻ° āĻāĻ āĻŦāĻŋāĻˇāĻ¯āĻŧā§ āĻā§āĻŦ āĻāĻāĻŋāĻ˛ āĻ
āĻāĻŋāĻā§āĻāĻ¤āĻž āĻāĻā§ āĻāĻžāĻ°āĻŖ āĻāĻŽāĻŋ āĻļāĻ¤ āĻļāĻ¤ āĻ˛ā§āĻāĻ āĻ
āĻ¨ā§āĻŦāĻžāĻĻ āĻāĻ°ā§āĻāĻŋāĨ¤ āĻāĻŽāĻŋ āĻ¸āĻŦāĻ¸āĻŽāĻ¯āĻŧ āĻ¤āĻžāĻĻā§āĻ° āĻŽā§āĻ˛āĻŋāĻāĻ¤āĻž āĻ°āĻžāĻāĻžāĻ° āĻā§āĻˇā§āĻāĻž āĻāĻ°ā§āĻāĻŋ, āĻāĻžāĻ°āĻŖ āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻāĻ¯āĻŧāĻžāĻ¤ā§ āĻ¤āĻžāĻĻā§āĻ° āĻāĻ¤ā§āĻŽāĻžāĻ° āĻāĻāĻāĻŋ āĻ
āĻāĻļ āĻ°āĻ¯āĻŧā§āĻā§āĨ¤ āĻ
āĻ¤āĻāĻŦ, āĻ¯āĻ¤ā§āĻ¨ āĻ¸āĻšāĻāĻžāĻ°ā§ āĻ
āĻ¨ā§āĻŦāĻžāĻĻ āĻāĻ°ā§, āĻĒā§āĻ°āĻ¯āĻŧā§āĻāĻ¨ā§āĻ¯āĻŧ āĻ¸āĻŽāĻ¯āĻŧ āĻāĻĒāĻ˛āĻā§āĻ¯ āĻāĻ°ā§, āĻāĻŦāĻŋāĻ¤āĻžāĻāĻŋ āĻ¯āĻ¤āĻā§āĻˇāĻŖ āĻ¨āĻž āĻ
āĻ¨ā§āĻ¯ āĻāĻžāĻˇāĻžāĻ¯āĻŧ “āĻ°āĻāĻŋāĻ¤” āĻšāĻ¯āĻŧ āĻ¤āĻ¤āĻā§āĻˇāĻŖ āĻ¤āĻžāĻ° āĻ¸āĻžāĻŽāĻžāĻ¨ā§āĻ¯ āĻŽā§āĻ˛āĻŋāĻāĻ¤āĻž āĻšāĻžāĻ°āĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤
15. 4āĻāĻŋ āĻāĻŦāĻŋāĻ¤āĻž āĻāĻā§ āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻŦāĻŋāĻļā§āĻˇ āĻāĻ°ā§ āĻāĻŦāĻŋāĻ¤āĻžāĻāĻŋ āĻ¨āĻžāĻ°ā§āĻā§ āĻā§āĻ¸āĻ°ā§āĻ āĻāĻ°āĻž āĻšāĻ¯āĻŧā§āĻā§: āĻŽāĻž, āĻŽā§āĻ¯āĻŧā§,
āĻŦā§āĻ¨, āĻ¸ā§āĻ¤ā§āĻ°ā§, āĻŦāĻ¨ā§āĻ§ā§āĨ¤ āĻāĻļāĻž āĻāĻ°āĻāĻŋ āĻāĻŦāĻ āĻāĻžāĻŽāĻ¨āĻž āĻāĻ°āĻāĻŋ āĻ¯ā§ āĻ¤āĻŋāĻ¨āĻŋ āĻāĻ°āĻ āĻ¸ā§āĻ°āĻā§āĻˇāĻŋāĻ¤ āĻāĻŦāĻ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻšāĻŦā§āĻ¨,
āĻāĻžāĻ°āĻŖ āĻāĻāĻŦāĻŋāĻāĻļ āĻļāĻ¤āĻžāĻŦā§āĻĻā§āĻ¤ā§ āĻŦāĻ¸āĻŦāĻžāĻ¸ āĻāĻ°ā§āĻ āĻ¨āĻžāĻ°ā§āĻšāĻ¤ā§āĻ¯āĻž, āĻĻā§āĻ°ā§āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻšāĻ¯āĻŧā§āĻā§
āĻĻā§āĻ°ā§āĻāĻžāĻā§āĻ¯āĻŦāĻļāĻ¤ āĻāĻŽā§āĻ¨āĻŋ āĻŦāĻ°āĻ āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨āĻ āĻŦāĻžāĻĄāĻŧāĻā§āĨ¤
16. āĻāĻŽāĻŋ āĻ
āĻ¨ā§āĻ āĻāĻŋāĻā§ āĻŦāĻ˛āĻŦ, āĻŦāĻŋāĻļā§āĻˇ āĻāĻ°ā§ āĻāĻāĻ¨ āĻ¯ā§ āĻāĻŽāĻŦā§āĻļāĻŋ āĻ¸āĻŦāĻžāĻ āĻ˛ā§āĻā§, āĻ¸āĻāĻā§āĻāĻžāĻ¯āĻŧāĻŋāĻ¤ āĻāĻ°ā§
āĻ¤āĻžāĻĻā§āĻ° āĻĒāĻžāĻ ā§āĻ° āĻŦā§āĻ¯āĻžāĻā§ āĻĻā§āĻāĻŋ āĻāĻŦāĻŋāĻ¤āĻž āĻ¨āĻŋāĻ¯āĻŧā§ āĻ¨āĻŋāĻā§āĻĻā§āĻ°āĻā§ āĻāĻŦāĻŋ āĻšāĻŋāĻ¸ā§āĻŦā§āĨ¤
17. āĻāĻ¤ā§āĻŽāĻž āĻāĻŦāĻ āĻāĻ˛ā§āĻ¤ā§ āĻŽā§āĻā§āĻ¤ āĻ¯ā§āĻ¨ āĻāĻŽāĻŋ āĻāĻāĻāĻŋ āĻĒāĻžāĻ˛āĻ, āĻāĻžāĻ°āĻŖ āĻāĻ¯āĻŧāĻžāĻ¤ āĻāĻŦāĻ āĻāĻ¯āĻŧāĻžāĻ¤ā§āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§
āĻāĻ°ā§āĻŽā§āĻ° āĻāĻ¯āĻŧāĻ¨āĻž āĻāĻā§āĨ¤
18. āĻāĻāĻž āĻ¨āĻŋāĻ°ā§āĻāĻ° āĻāĻ°ā§… āĻāĻŋāĻā§ āĻļā§āĻ˛ā§āĻ āĻāĻā§ āĻ¯āĻž āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻ˛ā§āĻā§ āĻĻā§āĻ¯āĻŧ, āĻāĻŋāĻā§ āĻ˛āĻŋāĻāĻŋāĻ¤ āĻāĻŦāĻ
āĻ¨āĻ¨-āĻ¸ā§āĻāĻĒ āĻĒāĻĄāĻŧā§āĻ¨, āĻāĻŦāĻ āĻ
āĻ¨ā§āĻ¯āĻ°āĻž āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻ
āĻ°ā§āĻ§-āĻŦā§āĻ āĻāĻ°ā§ āĻ°ā§āĻā§ āĻ¯āĻžāĻ¨āĨ¤
19. āĻ āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦā§āĻ° āĻŦāĻžāĻ°ā§āĻ¤āĻžāĨ¤ āĻāĻžāĻ°āĻŖ āĻāĻŦāĻŋāĻ¤āĻž āĻšāĻ˛ āĻĒā§āĻŖā§āĻ¯, āĻāĻāĻŋ āĻ¸ā§āĻ āĻĒāĻĨ āĻ¯ā§āĻāĻžāĻ¨ā§ āĻāĻŽāĻ°āĻž āĻšāĻžāĻāĻāĻžāĻ° āĻĒāĻĨ āĻāĻā§ āĻāĻāĻ¨ā§ āĻ āĻ¨ā§āĻŦā§āĻˇāĻŖ āĻāĻ°āĻŋāĻ¨āĻŋāĨ¤
 20. āĻāĻāĻŋ āĻ¯ā§āĻāĻžāĻ¨ā§ āĻļā§āĻˇ āĻšāĻ¯āĻŧ āĻ¸ā§āĻāĻžāĻ¨ā§āĻ āĻļā§āĻ°ā§ āĻšāĻ¯āĻŧ āĻāĻžāĻ°āĻŖ āĻāĻāĻŋ āĻŦāĻŋāĻāĻžāĻļ āĻāĻ°ā§ āĻ¨āĻž, āĻāĻāĻŋ āĻ¸ā§āĻĨāĻžāĻ¨ āĻĒāĻžāĻ¯āĻŧ āĻ¨āĻž, āĻāĻ¨ā§āĻ¤āĻŦā§āĻ¯āĻ āĻā§āĻāĻā§ āĻĒāĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤ āĻāĻĒāĻ¨āĻŋ 50 āĻŦāĻāĻ° āĻŦāĻ¯āĻŧāĻ¸ā§ āĻĒā§āĻāĻāĻžāĻ¨ā§āĻ° āĻ¸āĻŽāĻ¯āĻŧ, āĻ¸āĻāĻļāĻ¯āĻŧ āĻ¨ā§āĻ, āĻāĻāĻŋ āĻ āĻ°ā§āĻ§-āĻļāĻ¤āĻ āĻĒāĻ°āĻŋāĻĒāĻā§āĻāĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§ āĻ āĻĻā§āĻļā§āĻ¯ āĻšāĻ¯āĻŧā§ āĻ¯āĻžāĻ¯āĻŧāĨ¤
 (āĻŦāĻ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻā§)
 1. āĻ āĻ¨ā§āĻ āĻ¤ā§āĻ¯āĻžāĻā§āĻ° āĻ¸āĻžāĻĨā§, āĻāĻāĻ¨āĻ āĻāĻāĻ¨āĻ āĻāĻŽāĻ¨āĻāĻŋ āĻ¨āĻŋāĻā§āĻā§, āĻā§āĻŽ, āĻāĻžāĻŦāĻžāĻ°, āĻšāĻžāĻāĻāĻž, āĻāĻāĻ āĻ¸āĻŽāĻ¯āĻŧā§ āĻŦāĻŋāĻ¸āĻ°ā§āĻāĻ¨ āĻĻāĻŋāĻ¯āĻŧā§āĨ¤
 2. āĻ āĻ¨ā§āĻ āĻŽāĻ¨ā§āĻ¯ā§āĻ āĻ¸āĻšāĻāĻžāĻ°ā§ āĻĒāĻĄāĻŧāĻž āĻ¸āĻšāĻžāĻ¯āĻŧāĻ āĻāĻŋāĻ˛āĨ¤ āĻŽāĻšāĻžāĻ¨ āĻ˛ā§āĻāĻ, āĻā§āĻ˛āĻžāĻ¸āĻŋāĻ āĻāĻŦāĻ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻāĻĻā§āĻ° āĻĨā§āĻā§ āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻāĻāĻ āĻ āĻā§āĻˇāĻ°, āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻāĻĄāĻŧāĻž, āĻĒā§āĻ°āĻ¤āĻŋāĻāĻŋ āĻ˛āĻžāĻāĻ¨ āĻļā§āĻˇāĻŖ āĻāĻŦāĻ āĻā§āĻ¯āĻžāĻĒāĻāĻžāĻ° āĻāĻ°āĻžāĨ¤ āĻ¸āĻŦāĻā§āĻ¯āĻŧā§ āĻ āĻ°ā§āĻĨā§āĻĒāĻžāĻ°ā§āĻāĻŋāĻ¤ āĻāĻŦāĻ āĻ¸āĻŦāĻā§āĻ¯āĻŧā§ āĻāĻŽ āĻāĻĒāĻ¯ā§āĻā§ āĻšāĻ˛ āĻāĻāĻāĻŋ āĻāĻĒāĻ¯ā§āĻā§āĻ¤ āĻĒā§āĻ°āĻāĻžāĻļāĻ¨āĻž āĻāĻ°ā§āĻ° āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ā§ āĻšāĻžāĻ°āĻŋāĻ¯āĻŧā§ āĻ¯āĻžāĻāĻ¯āĻŧāĻžāĨ¤
 3. āĻāĻŽāĻžāĻ° āĻ āĻ¨ā§āĻ āĻĒā§āĻ°āĻŋāĻ¯āĻŧ āĻ˛ā§āĻāĻ āĻāĻā§āĻ¨, āĻ¤āĻŦā§ āĻāĻŽāĻŋ āĻŦāĻŋāĻļā§āĻˇāĻāĻžāĻŦā§ āĻāĻāĻāĻ¨āĻā§ āĻ¨āĻŋāĻ°ā§āĻĻā§āĻļ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ: āĻĄā§āĻ¯āĻžāĻ¨āĻŋāĻ¯āĻŧā§āĻ˛ āĻ¸ā§āĻāĻŋāĻ˛āĨ¤ āĻā§āĻŦ āĻ°ā§āĻŽāĻžāĻ¨ā§āĻāĻŋāĻ āĻāĻŦāĻ āĻĒāĻĄāĻŧāĻ¤ā§ āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧāĻāĻ°. āĻāĻļā§āĻāĻ°ā§āĻ¯āĻāĻ¨āĻ āĻāĻŦāĻ āĻĻā§āĻ°ā§āĻĻāĻžāĻ¨ā§āĻ¤āĻāĻžāĻŦā§ āĻ¤āĻžāĻāĻ° āĻŦāĻāĻ¯āĻŧā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻāĻŽāĻžāĻĻā§āĻ° āĻāĻāĻāĻžāĻ° āĻāĻĒāĻžāĻ¯āĻŧ āĻāĻŽāĻžāĻ° āĻ˛ā§āĻāĻžāĻ° āĻ āĻ¨ā§āĻĒā§āĻ°ā§āĻ°āĻŖāĻž āĻšāĻ¯āĻŧā§ āĻāĻ ā§āĻā§āĨ¤
 4. āĻāĻ¤āĻžāĻ˛āĻŋāĻ¤ā§ āĻāĻŽāĻžāĻ° āĻ¨āĻ¤ā§āĻ¨ āĻāĻŦāĻŋāĻ¤āĻžāĻ° āĻŦāĻ āĻŦā§āĻ° āĻšāĻā§āĻā§, āĻ¤āĻžāĻ°āĻĒāĻ° āĻāĻŽāĻžāĻ° āĻšāĻžāĻ¤ā§ āĻĨāĻžāĻāĻž āĻ¨āĻ¤ā§āĻ¨ āĻāĻĒāĻ¨ā§āĻ¯āĻžāĻ¸āĻāĻŋ āĻļā§āĻˇ āĻāĻ°āĻŦāĨ¤ āĻāĻ° āĻŦāĻžāĻāĻ°ā§, āĻāĻŽāĻžāĻā§ āĻāĻāĻāĻŋ āĻā§āĻāĻĻā§āĻ° āĻ°ā§āĻĒāĻāĻĨāĻž āĻļā§āĻˇ āĻāĻ°āĻ¤ā§ āĻšāĻŦā§āĨ¤
 5. āĻāĻŽāĻŋ āĻ¨āĻŋāĻā§āĻ āĻāĻāĻāĻŋ āĻĒāĻ¤ā§āĻ°āĻŋāĻāĻž āĻā§āĻ˛āĻāĻŋ, āĻāĻāĻāĻžāĻŦā§ āĻ¸ā§āĻāĻ¸āĻŦ āĻāĻŦāĻŋāĻĻā§āĻ° āĻ¸ā§āĻĨāĻžāĻ¨ āĻĻāĻŋāĻā§āĻāĻŋ āĻ¯āĻžāĻ°āĻž āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧāĻāĻ° āĻļā§āĻ˛ā§āĻ āĻ°āĻāĻ¨āĻž āĻāĻ°ā§āĻā§āĻ¨, āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻĻāĻ°āĻāĻž āĻ¸āĻ°ā§āĻŦāĻ¤ā§āĻ° āĻŦāĻ¨ā§āĻ§āĨ¤
 6. āĻāĻŽāĻžāĻ° āĻŦā§āĻ¯āĻā§āĻ¤āĻŋāĻāĻ¤ āĻ āĻāĻŋāĻā§āĻāĻ¤āĻž. āĻāĻžāĻ¨āĻž āĻāĻžāĻ°āĻāĻŋ āĻĻā§āĻ°ā§āĻ āĻŦāĻāĻ° āĻ§āĻ°ā§ āĻā§āĻ°ā§āĻ¤āĻ° āĻ āĻ¸ā§āĻ¸ā§āĻĨ āĻĨāĻžāĻāĻžāĻ° āĻāĻžāĻ°āĻŖā§, āĻāĻŽāĻžāĻ° āĻā§āĻ¤āĻ¨āĻž āĻ āĻ¨ā§āĻ āĻāĻˇā§āĻ āĻĒā§āĻ¯āĻŧā§āĻāĻŋāĻ˛āĨ¤
 7. āĻāĻŽāĻŋ āĻļāĻžāĻ¨ā§āĻ¤ āĻāĻāĻ°āĻŖ āĻāĻ°āĻŋāĨ¤ āĻĒā§āĻ°āĻā§āĻāĻž āĻ¸ā§āĻ āĻŦā§āĻ¯āĻā§āĻ¤āĻŋāĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ¨āĻŋāĻšāĻŋāĻ¤ āĻ¯ā§ āĻāĻŦā§āĻāĻā§ āĻĻāĻŽāĻ¨ āĻāĻ°āĻ¤ā§ āĻĒāĻžāĻ°ā§āĨ¤ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻāĻ āĻāĻžāĻŦā§ āĻāĻŽāĻ°āĻž āĻāĻ āĻŋāĻ¨ āĻĒāĻ°āĻŋāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋ āĻŽā§āĻāĻžāĻŦā§āĻ˛āĻž āĻāĻ°āĻ¤ā§ āĻĒāĻžāĻ°ā§āĻ¨. āĻāĻŦāĻ āĻ¤āĻžāĻ°āĻĒāĻ°ā§ āĻĒā§āĻ°āĻžāĻ°ā§āĻĨāĻ¨āĻžāĻ āĻ°āĻ¯āĻŧā§āĻā§, āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨ āĻ āĻ¨ā§āĻŽāĻžāĻ¨ āĻāĻ°āĻž āĻšāĻ¯āĻŧ āĻāĻŦāĻ āĻā§āĻŦāĻ˛ āĻāĻ āĻŋāĻ¨ āĻĒāĻ°āĻŋāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋāĻ¤ā§āĻ āĻ¨āĻ¯āĻŧāĨ¤
 8. āĻāĻŽāĻžāĻ° āĻā§āĻ¨ āĻ āĻ¨ā§āĻĒāĻžāĻ¤ āĻŦāĻž āĻ¨āĻŋāĻ¯āĻŧāĻŽ āĻ¨ā§āĻāĨ¤ āĻāĻŽāĻŋ āĻ¤āĻžāĻ¤ā§āĻā§āĻˇāĻŖāĻŋāĻāĻāĻžāĻŦā§ āĻ¸āĻŋāĻĻā§āĻ§āĻžāĻ¨ā§āĻ¤ āĻ¨āĻŋāĻ, āĻāĻŽāĻ¨ āĻāĻŋāĻā§ āĻĻāĻŋāĻ¯āĻŧā§ āĻļā§āĻ°ā§ āĻāĻ°ā§ āĻ¯āĻž āĻāĻŽāĻžāĻā§ āĻāĻā§āĻ°āĻāĻžāĻŦā§ āĻāĻāĻžāĻ¤ āĻāĻ°ā§, āĻ¤āĻžāĻ°āĻĒāĻ° āĻāĻŽāĻŋ āĻļā§āĻ˛ā§āĻ (āĻāĻŦāĻŋāĻ¤āĻž), āĻŦāĻž āĻĒāĻžāĻŖā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ (āĻāĻĒāĻ¨ā§āĻ¯āĻžāĻ¸) āĻ āĻŦāĻŋāĻļāĻĻ āĻŦāĻ°ā§āĻŖāĻ¨āĻž āĻāĻ°āĻŋāĨ¤
 9. āĻ¸ā§āĻļā§āĻ¯āĻžāĻ˛ āĻŽāĻŋāĻĄāĻŋāĻ¯āĻŧāĻž āĻ¸āĻžāĻāĻāĻā§āĻ˛āĻŋāĻā§ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ, āĻāĻāĻŋ āĻĒā§āĻ°āĻžāĻ¯āĻŧāĻļāĻ āĻāĻā§āĨ¤ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĒā§āĻ°āĻļāĻāĻ¸āĻžāĻ āĻ¨āĻ¯āĻŧ, āĻ¤ā§āĻ˛āĻ¨āĻž, āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§āĻāĻ¨āĻž, āĻļā§āĻ¯āĻŧāĻžāĻ° āĻĒāĻžāĻāĻ¯āĻŧāĻž āĻ¸āĻ¤ā§āĻ¯āĻŋāĻ āĻ¸āĻ¨ā§āĻ¤ā§āĻˇāĻāĻ¨āĻāĨ¤
 10. āĻāĻāĻāĻ¨ āĻ˛ā§āĻāĻ, āĻāĻŦāĻŋ āĻāĻŦāĻ āĻĒā§āĻ°āĻžāĻŦāĻ¨ā§āĻ§āĻŋāĻ āĻšāĻāĻ¯āĻŧāĻžāĻ° āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻāĻŽāĻŋ āĻāĻāĻāĻ¨ āĻĒā§āĻ°āĻāĻžāĻ°āĻāĻāĨ¤ āĻāĻŽāĻŋ āĻĒā§āĻ°āĻā§āĻ° āĻāĻŦāĻŋāĻ¤āĻž āĻŦāĻž āĻāĻĻā§āĻ¯ āĻĒāĻĄāĻŧāĻŋ āĻāĻŦāĻ āĻ āĻ¨ā§āĻŦāĻžāĻĻ āĻāĻ°āĻŋ, āĻ¸āĻŽā§āĻĒāĻžāĻĻāĻ¨āĻžāĻ āĻāĻ°āĻŋāĨ¤
āĻ¸āĻŦāĻžāĻāĻā§ āĻ āĻ¨ā§āĻ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ!
āĻŦāĻžāĻāĻ˛āĻž āĻāĻžāĻˇāĻžāĻ¨ā§āĻ¤āĻ° āĻāĻŦāĻŋ āĻŽā§āĻ āĻ¸āĻžāĻĻāĻŋāĻā§āĻ° āĻ°āĻšāĻŽāĻžāĻ¨ āĻ°ā§āĻŽā§āĻ¨
Bangla Translated by Poet, Md. Sadiqur Rahman Rumen Bangladesh.
Editor In Chief-PEN CRAFT.
Published by, Tamikio L. Dooley Michigan America.
Editor In Chief-PEN CRAFT literature.