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🌷POET ANGELA KOSTA A rare literary life story🌷

Tamikio L. Dooley
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ENGLISH BY ANGELA KOSTA

Angela Kosta was born in Albania in 1973 and has lived in Italy since 1995. She is a translator, essayist, literary critic and promoter. He has published 11 books: novels, poems and fairy tales in Albanian, Italian and English. His publications have appeared in various literary magazines and newspapers in: Albania, Kosovo, Italy, USA, England, China, Russia, Germany, Saudi Arabia, Lebanon, Algeria, Poland, Australia, Egypt, Greece, Tajikistan, South Korea, Hungary, Poland, etc. Angela Kosta translates and writes articles and interviews for the newspaper “Calabria Live”, Saturno magazine, the newspaper “Le Radici”, the international magazine “Orfeu”, Alessandria Today magazine, the Nacional newspaper, the Gazeta Destinacioni, the Perqasje Italo magazine – Shqiptare, the international magazine Atunis – Belgium, collaborates with magazines in Lebanon, USA, Morocco, etc. Angela Kosta is Ambassador of Culture and Peace in: Bangladesh, Lebanon, Poland, Morocco, Canada, Algeria, Egypt, etc.

1. I think so… For more than 20 years now I have been publishing books and writing both in Italy and also in my native country Albania. In the long journey of writing, formation takes place gradually, maturing in us the pen and thoughts.

2. When I was a child there were many Albanian writers that I liked, but I was particularly attracted by Zhyl Vem’s books. I was fascinated by the wonderful world under the sea.

3. At the age of 6 I wrote my first poem dedicated to my mother. Since I was a child I wrote almost every day: verse and prose.

4. Writing is my oxygen. Without it, it’s as if I don’t live, I don’t eat, I don’t drink, I don’t sleep.

5. My working day starts with translations into Italian or Albanian and sometimes even bilingual. I’ll also do editing and corrections. I pruomovo and publish not only in the newspapers where I am Director and Deputy Director but also in many other newspapers and magazines in which I have been collaborating for a long time.

6. A lot, I would say. With this I choose high-level poets from all over the world. I also adapt to the search for the latest news about contemporary international literature.

7. Freely I would say… I pour when my muse is very alert and active. I mainly deal with

current issues that have been wearing down human beings and our planet lately.

8. It’s the lyrics, the haikus, the rhymes, the verses, the verse.

9. Sometimes I compose irregular verses, elegy, poems. I use metaphors, rhetoric, allegories, oxymorons, images, contrasts a lot like a painting on a canvas with a thousand shades.

10. It wasn’t easy. Sometimes the day ends with other things left half-finished, as writing, translations, publications take up a lot of time. In any case, by planning everything the day before, you can balance the time due to work and the time dedicated to home, family, everyday life.

11. Reading beautiful verses that remain long in the memory. Also writing….

12. There are quite a few, but I will mention a few. Oriana Fallaci, Andrea Cammilleri, John Grisham, Nicola Sparks, etc…

13. Federico Garcia Lorca, Emily Dickinson, Gabriele D’Annunzio, Gianni Rodari, Cesare Pavese, Mihai Eminescu, Herman Hesse, etc…

14. I read Nicolas Sparks, romantic and charming in his narration, Sveva Casati Modigliani, an Italian pen rich in writing, full of colors and values.

15. Horror books. They don’t attract me, they don’t even arouse interest in me.

16. Very difficult I would say. Being an immigrant, I found many doors closed, but life is known to be unpredictable: it closes a door but opens a door. Today everything is different.. I have been working with two publishing houses for a long time.

17. Yes… certainly. But by insisting I managed to publish it and I think that next year I will publish the second edition.

18. Don’t rush. Neither by writing nor by publishing. Time must give time to time. With the verses you have to reconcile the thoughts well, the state of mind, with the publishing house is important, starting from the creation of the cover, promotion, the way the author would be followed step by step in his sales path, because you don’t just have to be able to publish, the satisfaction is to see your book in the hands of many readers.

19. I have written 5 novels, 3 manuscripts and many essays. I have no preference. I write my texts in a simple format because what is important is

what I write, not where I write.

20. I think that’s the desire of all authors. I also have experience in this because I have

promoted various books by signing many autographs to readers.

ABOUT POETRY

1. So many times, yes. I think that pain resides in the soul of many poets and each one tries to externalize it through verses.

2. Living in Italy for more than 28 years, my comprehension of the language has become fluid, without obstacles, on the contrary with my memory, slower, more careful not to forget the grammar of my mother tongue Albanian, a very difficult language.

3. Absolutely not! What I write or read must be completed according to my criteria first and foremost, but also according to those of the society in which we live, as long as it sometimes goes against the tide.

4. Never! That would be very difficult. As I mentioned above, the verses must be free and fluid, expressing what comes from our soul.

5. I would say yes. Every era, as long as it is different, with different ideologies is “witnessed” in a special way by ideologies.

6. Both! One becomes the protagonist, the other a director. By going in symbiosis, they find and manage to give space to our thoughts, dreams, projects…

7. As long as it is extended, sometimes even on a half-shredded piece of paper, it still becomes popular and as controversial as it is, it is known everywhere.

8. Absolutely. Tonality is very important to give the right light to the verses and vice versa: without this light the tonality would become dark, with this the poem would be dull, without any sweetness, it would completely lose its sense and significance.

9. I think a woman goes deeper than being. By endowing more pain, sadness, he animatedly processes all that life offers in itself.

10. If it were true, the apocalypse would not be long in coming.

11. A lot. Since ancient times, the Aedi, Homer also made poetry esteemed, leapfrogging the centuries to reach us today. This also applies to classical and contemporary poetry.

12. Who writes and also who reads. Poet and writer cannot do without each other.

13. Without the whole world. Poetry is life, nature, yesterday, today, tomorrow.

14. I have a very complex experience of this because I have translated hundreds of authors. I’ve always tried to keep their originality, because in every verse there is a piece of their soul. Therefore, by translating carefully, by making available the necessary time, poetry does not lose the slightest originality as long as it is “composed” in another language

15. There are 4 poems but especially the poem dedicated to Woman: mother, daughter,

sister, wife, friend. Hoping and wishing that she will be more protected and esteemed,

because despite living in the twenty-first century, femicide, mistreatment has

unfortunately not decreased but is increasing more and more every day.

16. I would say a lot, especially now that more or less everyone writes, defining

themselves as poets simply with two poems in their reading baggage.

17. Free in soul and light as if I were a feather, for through the verses and in the verses

there is the mirror of karma.

18. It depends… There are some verses that turn us upside down, some written and

read non-stop, and others sometimes left half-baked.

19. The message of existence. Because poetry is virtue, it is the path where we walk paths never explored before.

20. It begins right where it ends because it does not flourish, it does not find space, nor destination. By the time you reach the age of 50, skepticism does not exist, it disappears with half-century maturity.

ABOUT YOUR BOOK

1. With many sacrifices, sometimes even giving up myself, sleep, food, walks, at the same time.

2. It was helpful to read a lot carefully. Exploiting and capturing every single letter, every rhyme, every line, from great authors, classics and contemporaries. The most moneyed and least useful is to get lost behind the search for a suitable publishing house.

3. There are many of my favorite writers, but I would like to point out one in particular: Danielle Steel. Very romantic and wonderful to read. His way of drawing us into his books in a surprising and magnificent way became my inspiration with my writings.

4. My new book of poetry is coming out in Italy, after which I will finish the new novel I have in my hands. Beyond that, I have to finish a children’s fairy tale.

5. Opening a magazine on my own, thus giving space to those poets who compose wonderful verses, but find the doors closed everywhere.

6. My personal experience. Having been seriously ill for four very long years in a row, my consciousness suffered so much.

7. I act calm. Wisdom lies in the person who can tame impulsiveness. Only in this way can we deal with difficult situations. And then there is also prayer, postulated daily and not only in difficult situations.

8. I don’t have a proportion or rule. I decide instantly, starting with something that strikes me deeply, then I elaborate in verse (poetry), or manuscript (novel).

9. Thanks to social media sites, it happens very often. It is really satisfying to receive not only compliments but comparisons, reviews, shares.

10. In addition to being a writer, poet and essayist, I am also a promoter. I read and translate a lot of poetry or prose, also doing editing.

Thank you very much!

🌷āĻ•āĻŦāĻŋ, āĻāĻžā§āĻœā§‡āĻ˛āĻž āĻ•ā§‹āĻ¸ā§āĻ¤āĻž āĻāĻ• āĻŦāĻŋāĻ°āĻ˛ āĻ¸āĻžāĻšāĻŋāĻ¤ā§āĻ¯ āĻœā§€āĻŦāĻ¨ā§‡āĻ° āĻ‡āĻ¤āĻŋāĻŦā§ƒāĻ¤ā§āĻ¤đŸŒˇ

🌷POET ANGELA KOSTA A rare literary life story🌷

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1. āĻ†āĻŽāĻŋ āĻ¤āĻžāĻ‡ āĻŽāĻ¨ā§‡ āĻ•āĻ°āĻŋ… āĻāĻ–āĻ¨ 20 āĻŦāĻ›āĻ°ā§‡āĻ°āĻ“ āĻŦā§‡āĻļāĻŋ āĻ¸āĻŽāĻ¯āĻŧ āĻ§āĻ°ā§‡ āĻ†āĻŽāĻŋ āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¤ā§‡ āĻāĻŦāĻ‚ āĻ†āĻŽāĻžāĻ° āĻœāĻ¨ā§āĻŽāĻ­ā§‚āĻŽāĻŋ āĻ†āĻ˛āĻŦā§‡āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¤ā§‡āĻ“ āĻŦāĻ‡ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ˛āĻŋāĻ–āĻ›āĻŋāĨ¤ āĻ˛ā§‡āĻ–āĻžāĻ° āĻĻā§€āĻ°ā§āĻ˜ āĻ¯āĻžāĻ¤ā§āĻ°āĻžāĻ¯āĻŧ, āĻ—āĻ āĻ¨ āĻ˜āĻŸā§‡ āĻ§ā§€āĻ°ā§‡ āĻ§ā§€āĻ°ā§‡, āĻĒāĻ°āĻŋāĻĒāĻ•ā§āĻ• āĻšāĻ¯āĻŧ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ•āĻ˛āĻŽ āĻ“ āĻšāĻŋāĻ¨ā§āĻ¤āĻžāĨ¤

2. āĻ†āĻŽāĻŋ āĻ¯āĻ–āĻ¨ āĻ›ā§‹āĻŸ āĻ›āĻŋāĻ˛āĻžāĻŽ āĻ¤āĻ–āĻ¨ āĻ…āĻ¨ā§‡āĻ• āĻ†āĻ˛āĻŦā§‡āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¨ āĻ˛ā§‡āĻ–āĻ• āĻ›āĻŋāĻ˛ āĻ¯āĻžāĻĻā§‡āĻ° āĻ†āĻŽāĻŋ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āĻ°āĻ¤āĻžāĻŽ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ†āĻŽāĻŋ āĻŦāĻŋāĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻāĻžāĻ‡āĻ˛ āĻ­ā§‡āĻŽā§‡āĻ° āĻŦāĻ‡ āĻĻā§āĻŦāĻžāĻ°āĻž āĻ†āĻ•ā§ƒāĻˇā§āĻŸ āĻšāĻ¯āĻŧā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ†āĻŽāĻŋ āĻ¸āĻŽā§āĻĻā§āĻ°ā§‡āĻ° āĻ¨ā§€āĻšā§‡ āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧāĻ•āĻ° āĻĒā§ƒāĻĨāĻŋāĻŦā§€ āĻĻā§‡āĻ–ā§‡ āĻŽā§āĻ—ā§āĻ§ āĻšāĻ¯āĻŧā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤

3. 6 āĻŦāĻ›āĻ° āĻŦāĻ¯āĻŧāĻ¸ā§‡ āĻ†āĻŽāĻŋ āĻ†āĻŽāĻžāĻ° āĻŽāĻžāĻ•ā§‡ āĻ‰ā§ŽāĻ¸āĻ°ā§āĻ— āĻ•āĻ°ā§‡ āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻ•āĻŦāĻŋāĻ¤āĻž āĻ˛āĻŋāĻ–ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ¯ā§‡āĻšā§‡āĻ¤ā§ āĻ†āĻŽāĻŋ āĻ›ā§‹āĻŸ āĻ›āĻŋāĻ˛āĻžāĻŽ āĻ†āĻŽāĻŋ āĻĒā§āĻ°āĻžāĻ¯āĻŧ āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨āĻ‡ āĻ˛āĻŋāĻ–āĻ¤āĻžāĻŽ: āĻĒāĻĻā§āĻ¯ āĻāĻŦāĻ‚ āĻ—āĻĻā§āĻ¯āĨ¤

4. āĻ˛ā§‡āĻ–āĻž āĻ†āĻŽāĻžāĻ° āĻ…āĻ•ā§āĻ¸āĻŋāĻœā§‡āĻ¨āĨ¤ āĻāĻŸāĻž āĻ›āĻžāĻĄāĻŧāĻž, āĻāĻŸāĻž āĻ¯ā§‡āĻ¨ āĻ†āĻŽāĻŋ āĻŦāĻžāĻāĻšāĻŋ āĻ¨āĻž, āĻ†āĻŽāĻŋ āĻ–āĻžāĻ‡ āĻ¨āĻž, āĻ†āĻŽāĻŋ āĻĒāĻžāĻ¨ āĻ•āĻ°āĻŋ āĻ¨āĻž, āĻ†āĻŽāĻŋ āĻ˜ā§āĻŽāĻžāĻ‡ āĻ¨āĻžāĨ¤

5. āĻ†āĻŽāĻžāĻ° āĻ•āĻžāĻœā§‡āĻ° āĻĻāĻŋāĻ¨ āĻļā§āĻ°ā§ āĻšāĻ¯āĻŧ āĻ‡āĻ¤āĻžāĻ˛ā§€āĻ¯āĻŧ āĻŦāĻž āĻ†āĻ˛āĻŦā§‡āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¨ āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ āĻ…āĻ¨ā§āĻŦāĻžāĻĻā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻāĻŦāĻ‚ āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻāĻŽāĻ¨āĻ•āĻŋ āĻĻā§āĻŦāĻŋāĻ­āĻžāĻˇāĻŋāĻ•ā§‡āĻ“āĨ¤ āĻ†āĻŽāĻŋ āĻ¸āĻŽā§āĻĒāĻžāĻĻāĻ¨āĻž āĻāĻŦāĻ‚ āĻ¸āĻ‚āĻļā§‹āĻ§āĻ¨ āĻ•āĻ°āĻŦāĨ¤ āĻ†āĻŽāĻŋ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻ¯ā§‡ āĻ¸āĻ‚āĻŦāĻžāĻĻāĻĒāĻ¤ā§āĻ°ā§‡ āĻĒāĻ°āĻŋāĻšāĻžāĻ˛āĻ• āĻāĻŦāĻ‚ āĻ‰āĻĒ-āĻĒāĻ°āĻŋāĻšāĻžāĻ˛āĻ• āĻ›āĻŋāĻ˛āĻžāĻŽ āĻ¸ā§‡āĻ–āĻžāĻ¨ā§‡āĻ‡ āĻ†āĻŽāĻŋ āĻĒā§āĻ°ā§āĻ“āĻŽā§‹āĻ­ā§‹ āĻ•āĻ°āĻŋ āĻāĻŦāĻ‚ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻŋ, āĻŦāĻ°āĻ‚ āĻ†āĻ°āĻ“ āĻ…āĻ¨ā§‡āĻ• āĻ¸āĻ‚āĻŦāĻžāĻĻāĻĒāĻ¤ā§āĻ° āĻ“ āĻŽā§āĻ¯āĻžāĻ—āĻžāĻœāĻŋāĻ¨ā§‡āĻ“ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻŋ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ†āĻŽāĻŋ āĻĻā§€āĻ°ā§āĻ˜āĻĻāĻŋāĻ¨ āĻ§āĻ°ā§‡ āĻ¸āĻšāĻ¯ā§‹āĻ—āĻŋāĻ¤āĻž āĻ•āĻ°ā§‡ āĻ†āĻ¸āĻ›āĻŋāĨ¤

6. āĻ…āĻ¨ā§‡āĻ•, āĻ†āĻŽāĻŋ āĻŦāĻ˛āĻŦ. āĻāĻŸāĻŋ āĻĻāĻŋāĻ¯āĻŧā§‡ āĻ†āĻŽāĻŋ āĻ¸āĻžāĻ°āĻž āĻŦāĻŋāĻļā§āĻŦā§‡āĻ° āĻ‰āĻšā§āĻš āĻĒāĻ°ā§āĻ¯āĻžāĻ¯āĻŧā§‡āĻ° āĻ•āĻŦāĻŋāĻĻā§‡āĻ° āĻŦā§‡āĻ›ā§‡ āĻ¨āĻŋāĻ‡āĨ¤ āĻ†āĻŽāĻŋ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻ• āĻ†āĻ¨ā§āĻ¤āĻ°ā§āĻœāĻžāĻ¤āĻŋāĻ• āĻ¸āĻžāĻšāĻŋāĻ¤ā§āĻ¯ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ•ā§‡ āĻ¸āĻ°ā§āĻŦāĻļā§‡āĻˇ āĻ¸āĻ‚āĻŦāĻžāĻĻ āĻ…āĻ¨ā§āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ā§‡āĻ° āĻ¸āĻžāĻĨā§‡āĻ“ āĻ–āĻžāĻĒ āĻ–āĻžāĻ‡āĻ¯āĻŧā§‡ āĻ¨āĻŋāĻ‡āĨ¤

7. āĻ¨āĻŋāĻ°ā§āĻĻā§āĻŦāĻŋāĻ§āĻžāĻ¯āĻŧ āĻ†āĻŽāĻŋ āĻŦāĻ˛āĻŦ… āĻ¯āĻ–āĻ¨ āĻ†āĻŽāĻžāĻ° āĻŽāĻŋāĻ‰āĻœ āĻ–ā§āĻŦ āĻ¸āĻ¤āĻ°ā§āĻ• āĻāĻŦāĻ‚ āĻ¸āĻ•ā§āĻ°āĻŋāĻ¯āĻŧ āĻĨāĻžāĻ•ā§‡ āĻ¤āĻ–āĻ¨ āĻ†āĻŽāĻŋ āĻĸāĻžāĻ˛āĻžāĻ“āĨ¤ āĻ†āĻŽāĻŋ āĻĒā§āĻ°āĻ§āĻžāĻ¨āĻ¤ āĻŽā§‹āĻ•āĻžāĻŦā§‡āĻ˛āĻž

āĻŦāĻ°ā§āĻ¤āĻŽāĻžāĻ¨ āĻ¸āĻŽāĻ¸ā§āĻ¯āĻž āĻ¯āĻž āĻ‡āĻĻāĻžāĻ¨ā§€āĻ‚ āĻŽāĻžāĻ¨ā§āĻˇ āĻāĻŦāĻ‚ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ—ā§āĻ°āĻšāĻ•ā§‡ āĻŦāĻŋāĻĒāĻ°ā§āĻ¯āĻ¸ā§āĻ¤ āĻ•āĻ°ā§‡ āĻĢā§‡āĻ˛ā§‡āĻ›ā§‡āĨ¤

8. āĻāĻŸāĻŋ āĻ—āĻžāĻ¨ā§‡āĻ° āĻ•āĻĨāĻž, āĻšāĻžāĻ‡āĻ•ā§āĻ¸, āĻ›āĻĄāĻŧāĻž, āĻļā§āĻ˛ā§‹āĻ•, āĻĒāĻĻā§āĻ¯āĨ¤

9. āĻŽāĻžāĻā§‡ āĻŽāĻžāĻā§‡ āĻ†āĻŽāĻŋ āĻ…āĻ¨āĻŋāĻ¯āĻŧāĻŽāĻŋāĻ¤ āĻļā§āĻ˛ā§‹āĻ•, āĻ‰āĻĒāĻžāĻ–ā§āĻ¯āĻžāĻ¨, āĻ•āĻŦāĻŋāĻ¤āĻž āĻ°āĻšāĻ¨āĻž āĻ•āĻ°āĻŋāĨ¤ āĻ†āĻŽāĻŋ āĻ°ā§‚āĻĒāĻ•, āĻ…āĻ˛āĻ™ā§āĻ•āĻžāĻ°, āĻ°ā§‚āĻĒāĻ•, āĻ…āĻ•ā§āĻ¸āĻŋāĻŽā§‹āĻ°āĻ¨, āĻ‡āĻŽā§‡āĻœ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻ•āĻ°āĻŋ, āĻšāĻžāĻœāĻžāĻ° āĻļā§‡āĻĄ āĻ¸āĻš āĻ•ā§āĻ¯āĻžāĻ¨āĻ­āĻžāĻ¸ā§‡ āĻāĻ•āĻŸāĻŋ āĻĒā§‡āĻ‡āĻ¨ā§āĻŸāĻŋāĻ‚āĻ¯āĻŧā§‡āĻ° āĻŽāĻ¤ā§‹ āĻ…āĻ¨ā§‡āĻ•āĻŸāĻž āĻŦā§ˆāĻĒāĻ°ā§€āĻ¤ā§āĻ¯āĨ¤

10. āĻāĻŸāĻž āĻ¸āĻšāĻœ āĻ›āĻŋāĻ˛ āĻ¨āĻž. āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻĻāĻŋāĻ¨āĻŸāĻŋ āĻ…āĻ°ā§āĻ§-āĻ¸āĻŽāĻžāĻĒā§āĻ¤ āĻ°ā§‡āĻ–ā§‡ āĻ…āĻ¨ā§āĻ¯āĻžāĻ¨ā§āĻ¯ āĻœāĻŋāĻ¨āĻŋāĻ¸ āĻĻāĻŋāĻ¯āĻŧā§‡ āĻļā§‡āĻˇ āĻšāĻ¯āĻŧ, āĻ•āĻžāĻ°āĻŖ āĻ˛ā§‡āĻ–āĻž, āĻ…āĻ¨ā§āĻŦāĻžāĻĻ, āĻĒā§āĻ°āĻ•āĻžāĻļāĻ¨āĻž āĻ…āĻ¨ā§‡āĻ• āĻ¸āĻŽāĻ¯āĻŧ āĻ¨ā§‡āĻ¯āĻŧāĨ¤ āĻ¯āĻžāĻ‡ āĻšā§‹āĻ• āĻ¨āĻž āĻ•ā§‡āĻ¨, āĻ†āĻ—ā§‡āĻ° āĻĻāĻŋāĻ¨ āĻ¸āĻŦāĻ•āĻŋāĻ›ā§ āĻĒāĻ°āĻŋāĻ•āĻ˛ā§āĻĒāĻ¨āĻž āĻ•āĻ°ā§‡, āĻ†āĻĒāĻ¨āĻŋ āĻ•āĻžāĻœā§‡āĻ° āĻ•āĻžāĻ°āĻŖā§‡ āĻ¸āĻŽāĻ¯āĻŧ āĻāĻŦāĻ‚ āĻŦāĻžāĻĄāĻŧāĻŋ, āĻĒāĻ°āĻŋāĻŦāĻžāĻ°, āĻĻā§ˆāĻ¨āĻ¨ā§āĻĻāĻŋāĻ¨ āĻœā§€āĻŦāĻ¨ā§‡ āĻ¨āĻŋāĻŦā§‡āĻĻāĻŋāĻ¤ āĻ¸āĻŽāĻ¯āĻŧā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ­āĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ āĻ°āĻžāĻ–āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨āĨ¤

11. āĻ¸ā§āĻŽā§ƒāĻ¤āĻŋāĻ¤ā§‡ āĻĻā§€āĻ°ā§āĻ˜āĻ•āĻžāĻ˛ āĻ§āĻ°ā§‡ āĻĨāĻžāĻ•āĻž āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻ†āĻ¯āĻŧāĻžāĻ¤ āĻĒāĻĄāĻŧāĻžāĨ¤ āĻ¤āĻžāĻ“ āĻ˛āĻŋāĻ–āĻ›āĻŋ….

12. āĻŦā§‡āĻļ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻ†āĻ›ā§‡, āĻ¤āĻŦā§‡ āĻ†āĻŽāĻŋ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻ‰āĻ˛ā§āĻ˛ā§‡āĻ– āĻ•āĻ°āĻŦāĨ¤ āĻ“āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨āĻž āĻĢā§āĻ¯āĻžāĻ˛āĻžāĻ¸āĻŋ, āĻ†āĻ¨ā§āĻĻā§āĻ°ā§‡āĻ¯āĻŧāĻž āĻ•ā§āĻ¯āĻžāĻŽāĻŋāĻ˛ā§‡āĻ°āĻŋ, āĻœāĻ¨ āĻ—ā§āĻ°āĻŋāĻļāĻžāĻŽ, āĻ¨āĻŋāĻ•ā§‹āĻ˛āĻž āĻ¸ā§āĻĒāĻžāĻ°ā§āĻ•āĻ¸, āĻ‡āĻ¤ā§āĻ¯āĻžāĻĻāĻŋ…

13. āĻĢā§‡āĻĻā§‡āĻ°āĻŋāĻ•ā§‹ āĻ—āĻžāĻ°ā§āĻ¸āĻŋāĻ¯āĻŧāĻž āĻ˛ā§‹āĻ°āĻ•āĻž, āĻāĻŽāĻŋāĻ˛āĻŋ āĻĄāĻŋāĻ•āĻŋāĻ¨āĻ¸āĻ¨, āĻ—ā§āĻ¯āĻžāĻŦā§āĻ°āĻŋāĻ¯āĻŧā§‡āĻ˛ āĻĄāĻŋ’āĻ†āĻ¨ā§āĻžā§āĻœāĻŋāĻ“, āĻœāĻŋāĻ¯āĻŧāĻžāĻ¨ā§āĻ¨āĻŋ āĻ°ā§‹āĻĻāĻžāĻ°āĻŋ, āĻ¸āĻŋāĻœāĻžāĻ° āĻĒāĻžāĻ­ā§‡āĻ¸, āĻŽāĻŋāĻšāĻžāĻ‡ āĻāĻŽāĻŋāĻ¨ā§‡āĻ¸ā§āĻ•ā§, āĻšāĻžāĻ°āĻŽāĻžāĻ¨ āĻšā§‡āĻ¸ā§‡, āĻ‡āĻ¤ā§āĻ¯āĻžāĻĻāĻŋ…

14. āĻ†āĻŽāĻŋ āĻ¨āĻŋāĻ•ā§‹āĻ˛āĻžāĻ¸ āĻ¸ā§āĻĒāĻžāĻ°ā§āĻ•āĻ¸ āĻĒāĻĄāĻŧā§‡āĻ›āĻŋ, āĻ¤āĻžāĻ° āĻŦāĻ°ā§āĻŖāĻ¨āĻžāĻ¯āĻŧ āĻ°ā§‹āĻŽāĻžāĻ¨ā§āĻŸāĻŋāĻ• āĻāĻŦāĻ‚ āĻ•āĻŽāĻ¨ā§€āĻ¯āĻŧ, Sveva Casati Modigliani, āĻ˛ā§‡āĻ–āĻžāĻ¯āĻŧ āĻ¸āĻŽā§ƒāĻĻā§āĻ§ āĻāĻ•āĻŸāĻŋ āĻ‡āĻ¤āĻžāĻ˛ā§€āĻ¯āĻŧ āĻ•āĻ˛āĻŽ, āĻ°āĻ™ āĻāĻŦāĻ‚ āĻŽā§‚āĻ˛ā§āĻ¯āĻŦā§‹āĻ§ā§‡ āĻĒāĻ°āĻŋāĻĒā§‚āĻ°ā§āĻŖāĨ¤

15. āĻšāĻ°āĻ° āĻŦāĻ‡āĨ¤ āĻ¤āĻžāĻ°āĻž āĻ†āĻŽāĻžāĻ•ā§‡ āĻ†āĻ•āĻ°ā§āĻˇāĻŖ āĻ•āĻ°ā§‡ āĻ¨āĻž, āĻāĻŽāĻ¨āĻ•āĻŋ āĻ¤āĻžāĻ°āĻž āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻ†āĻ—ā§āĻ°āĻš āĻœāĻžāĻ—āĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤

16. āĻ–ā§āĻŦ āĻ•āĻ āĻŋāĻ¨ āĻ†āĻŽāĻŋ āĻŦāĻ˛āĻŦ. āĻāĻ•āĻœāĻ¨ āĻ…āĻ­āĻŋāĻŦāĻžāĻ¸ā§€ āĻšāĻ“āĻ¯āĻŧāĻžāĻ° āĻ•āĻžāĻ°āĻŖā§‡, āĻ†āĻŽāĻŋ āĻ…āĻ¨ā§‡āĻ• āĻĻāĻ°āĻœāĻž āĻŦāĻ¨ā§āĻ§ āĻĒā§‡āĻ¯āĻŧā§‡āĻ›āĻŋ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻœā§€āĻŦāĻ¨ āĻ…āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻžāĻļāĻŋāĻ¤ āĻŦāĻ˛ā§‡ āĻĒāĻ°āĻŋāĻšāĻŋāĻ¤: āĻāĻŸāĻŋ āĻāĻ•āĻŸāĻŋ āĻĻāĻ°āĻœāĻž āĻŦāĻ¨ā§āĻ§ āĻ•āĻ°ā§‡ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻāĻ•āĻŸāĻŋ āĻĻāĻ°āĻœāĻž āĻ–ā§āĻ˛ā§‡ āĻĻā§‡āĻ¯āĻŧāĨ¤ āĻ†āĻœ āĻ¸āĻŦāĻ•āĻŋāĻ›ā§ āĻ­āĻŋāĻ¨ā§āĻ¨.. āĻ†āĻŽāĻŋ āĻĻā§€āĻ°ā§āĻ˜āĻĻāĻŋāĻ¨ āĻ§āĻ°ā§‡ āĻĻā§āĻŸāĻŋ āĻĒā§āĻ°āĻ•āĻžāĻļāĻ¨āĻž āĻ¸āĻ‚āĻ¸ā§āĻĨāĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ•āĻžāĻœ āĻ•āĻ°āĻ›āĻŋāĨ¤

17. āĻšā§āĻ¯āĻžāĻ… āĻ…āĻŦāĻļā§āĻ¯āĻ‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻĒā§€āĻĄāĻŧāĻžāĻĒā§€āĻĄāĻŧāĻŋ āĻ•āĻ°ā§‡ āĻ†āĻŽāĻŋ āĻāĻŸāĻŋ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻ¤ā§‡ āĻĒā§‡āĻ°ā§‡āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ†āĻŽāĻŋ āĻŽāĻ¨ā§‡ āĻ•āĻ°āĻŋ āĻ†āĻ—āĻžāĻŽā§€ āĻŦāĻ›āĻ° āĻ†āĻŽāĻŋ āĻĻā§āĻŦāĻŋāĻ¤ā§€āĻ¯āĻŧ āĻ¸āĻ‚āĻ¸ā§āĻ•āĻ°āĻŖ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻŦāĨ¤

18. āĻ¤āĻžāĻĄāĻŧāĻžāĻšā§āĻĄāĻŧāĻž āĻ•āĻ°āĻŦā§‡āĻ¨ āĻ¨āĻžāĨ¤ āĻ¨āĻž āĻ˛āĻŋāĻ–ā§‡ āĻ¨āĻž āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°ā§‡āĨ¤ āĻ¸āĻŽāĻ¯āĻŧāĻ•ā§‡ āĻ¸āĻŽāĻ¯āĻŧ āĻĻāĻŋāĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻļā§āĻ˛ā§‹āĻ•āĻ—ā§āĻ˛āĻŋāĻ° āĻ¸āĻžāĻĨā§‡ āĻ†āĻĒāĻ¨āĻžāĻ° āĻšāĻŋāĻ¨ā§āĻ¤āĻžāĻ—ā§āĻ˛āĻŋāĻ•ā§‡ āĻ­āĻžāĻ˛āĻ­āĻžāĻŦā§‡ āĻŽāĻŋāĻ˛āĻŋāĻ¤ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻŦā§‡, āĻŽāĻ¨ā§‡āĻ° āĻ…āĻŦāĻ¸ā§āĻĨāĻž, āĻĒā§āĻ°āĻ•āĻžāĻļāĻ¨āĻž āĻ¸āĻ‚āĻ¸ā§āĻĨāĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ, āĻĒā§āĻ°āĻšā§āĻ›āĻĻ āĻ¤ā§ˆāĻ°āĻŋ āĻĨā§‡āĻ•ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻĒā§āĻ°āĻšāĻžāĻ°, āĻ˛ā§‡āĻ–āĻ• āĻ¤āĻžāĻ° āĻŦāĻŋāĻ•ā§āĻ°āĻ¯āĻŧā§‡āĻ° āĻĒāĻĨā§‡ āĻ§āĻžāĻĒā§‡ āĻ§āĻžāĻĒā§‡ āĻ…āĻ¨ā§āĻ¸āĻ°āĻŖ āĻ•āĻ°āĻŦā§‡āĻ¨, āĻ•āĻžāĻ°āĻŖ āĻ†āĻĒāĻ¨āĻŋ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻ¤ā§‡ āĻ¸āĻ•ā§āĻˇāĻŽ āĻšāĻ¤ā§‡ āĻšāĻŦā§‡ āĻ¨āĻž, āĻ¸āĻ¨ā§āĻ¤ā§āĻˇā§āĻŸāĻŋ āĻ…āĻ¨ā§‡āĻ• āĻĒāĻžāĻ āĻ•ā§‡āĻ° āĻšāĻžāĻ¤ā§‡ āĻ†āĻĒāĻ¨āĻžāĻ° āĻŦāĻ‡ āĻĻā§‡āĻ–āĻ¤ā§‡ āĻšāĻ¯āĻŧ.

19. āĻ†āĻŽāĻŋ 5āĻŸāĻŋ āĻ‰āĻĒāĻ¨ā§āĻ¯āĻžāĻ¸, 3āĻŸāĻŋ āĻĒāĻžāĻŖā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ āĻāĻŦāĻ‚ āĻ…āĻ¨ā§‡āĻ• āĻĒā§āĻ°āĻŦāĻ¨ā§āĻ§ āĻ˛āĻŋāĻ–ā§‡āĻ›āĻŋāĨ¤ āĻ†āĻŽāĻžāĻ° āĻ•ā§‹āĻ¨ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ¨ā§‡āĻ‡āĨ¤ āĻ†āĻŽāĻŋ āĻ†āĻŽāĻžāĻ° āĻĒāĻžāĻ ā§āĻ¯āĻ—ā§āĻ˛āĻŋ āĻāĻ•āĻŸāĻŋ āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻŦāĻŋāĻ¨ā§āĻ¯āĻžāĻ¸ā§‡ āĻ˛āĻŋāĻ–āĻŋ āĻ•āĻžāĻ°āĻŖ āĻ¯āĻž āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ¤āĻž āĻšāĻ˛

āĻ†āĻŽāĻŋ āĻ•āĻŋ āĻ˛āĻŋāĻ–āĻŋ, āĻ•ā§‹āĻĨāĻžāĻ¯āĻŧ āĻ˛āĻŋāĻ–āĻŋ āĻ¨āĻžāĨ¤

20. āĻ†āĻŽāĻŋ āĻŽāĻ¨ā§‡ āĻ•āĻ°āĻŋ āĻāĻŸāĻž āĻ¸āĻŦ āĻ˛ā§‡āĻ–āĻ•ā§‡āĻ° āĻ‡āĻšā§āĻ›āĻžāĨ¤ āĻ†āĻŽāĻžāĻ°āĻ“ āĻ āĻŦāĻŋāĻˇāĻ¯āĻŧā§‡ āĻ…āĻ­āĻŋāĻœā§āĻžāĻ¤āĻž āĻ†āĻ›ā§‡ āĻŦāĻ˛ā§‡āĻ‡ āĻ†āĻŽāĻžāĻ° āĻ†āĻ›ā§‡, āĻĒāĻžāĻ āĻ•āĻĻā§‡āĻ° āĻ•āĻžāĻ›ā§‡ āĻ…āĻ¨ā§‡āĻ• āĻ…āĻŸā§‹āĻ—ā§āĻ°āĻžāĻĢ āĻ¸ā§āĻŦāĻžāĻ•ā§āĻˇāĻ° āĻ•āĻ°ā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻŦāĻ‡ āĻĒā§āĻ°āĻšāĻžāĻ° āĻ•āĻ°ā§‡āĻ›ā§‡āĨ¤

āĻ•āĻŦāĻŋāĻ¤āĻž āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ•ā§‡

1. āĻ…āĻ¨ā§‡āĻ• āĻŦāĻžāĻ°, āĻšā§āĻ¯āĻžāĻ. āĻ†āĻŽāĻŋ āĻŽāĻ¨ā§‡ āĻ•āĻ°āĻŋ āĻ¯ā§‡ āĻŦā§āĻ¯āĻĨāĻž āĻ…āĻ¨ā§‡āĻ• āĻ•āĻŦāĻŋāĻ° āĻ†āĻ¤ā§āĻŽāĻžāĻ¯āĻŧ āĻŦāĻžāĻ¸ āĻ•āĻ°ā§‡ āĻāĻŦāĻ‚ āĻĒā§āĻ°āĻ¤ā§āĻ¯ā§‡āĻ•ā§‡āĻ‡ āĻ•āĻŦāĻŋāĻ¤āĻžāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻ¤āĻž āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĨ¤

2. 28 āĻŦāĻ›āĻ°ā§‡āĻ°āĻ“ āĻŦā§‡āĻļāĻŋ āĻ¸āĻŽāĻ¯āĻŧ āĻ§āĻ°ā§‡ āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¤ā§‡ āĻŦāĻ¸āĻŦāĻžāĻ¸ āĻ•āĻ°ā§‡, āĻ†āĻŽāĻžāĻ° āĻ­āĻžāĻˇāĻž āĻŦā§‹āĻāĻž āĻ¤āĻ°āĻ˛ āĻšāĻ¯āĻŧā§‡ āĻ‰āĻ ā§‡āĻ›ā§‡, āĻŦāĻžāĻ§āĻž āĻ›āĻžāĻĄāĻŧāĻžāĻ‡, āĻ†āĻŽāĻžāĻ° āĻ¸ā§āĻŽā§ƒāĻ¤āĻŋāĻ° āĻŦāĻŋāĻĒāĻ°ā§€āĻ¤ā§‡, āĻ§ā§€āĻ°, āĻ†āĻŽāĻžāĻ° āĻŽāĻžāĻ¤ā§ƒāĻ­āĻžāĻˇāĻž āĻ†āĻ˛āĻŦā§‡āĻ¨āĻŋāĻ¯āĻŧāĻžāĻ¨ā§‡āĻ° āĻŦā§āĻ¯āĻžāĻ•āĻ°āĻŖ āĻ­ā§āĻ˛ā§‡ āĻ¨āĻž āĻ¯āĻžāĻ“āĻ¯āĻŧāĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻ†āĻ°āĻ“ āĻ¸āĻ¤āĻ°ā§āĻ•, āĻāĻ•āĻŸāĻŋ āĻ–ā§āĻŦ āĻ•āĻ āĻŋāĻ¨ āĻ­āĻžāĻˇāĻžāĨ¤

3. āĻāĻ•ā§‡āĻŦāĻžāĻ°ā§‡ āĻ¨āĻž! āĻ†āĻŽāĻŋ āĻ¯āĻž āĻ˛āĻŋāĻ–āĻŋ āĻŦāĻž āĻĒāĻĄāĻŧāĻŋ āĻ¤āĻž āĻ…āĻŦāĻļā§āĻ¯āĻ‡ āĻ†āĻŽāĻžāĻ° āĻŽāĻžāĻ¨āĻĻāĻŖā§āĻĄ āĻ…āĻ¨ā§āĻ¸āĻžāĻ°ā§‡ āĻĒā§āĻ°āĻĨāĻŽ āĻāĻŦāĻ‚ āĻ¸āĻ°ā§āĻŦāĻžāĻ—ā§āĻ°ā§‡ āĻ¸āĻŽā§āĻĒāĻ¨ā§āĻ¨ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻŦā§‡, āĻ¤āĻŦā§‡ āĻ†āĻŽāĻ°āĻž āĻ¯ā§‡ āĻ¸āĻŽāĻžāĻœā§‡ āĻŦāĻžāĻ¸ āĻ•āĻ°āĻŋ āĻ¤āĻžāĻ° āĻ…āĻ¨ā§āĻ¸āĻžāĻ°ā§‡āĻ“, āĻ¯āĻ¤āĻ•ā§āĻˇāĻŖ āĻ¨āĻž āĻ¤āĻž āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻœā§‹āĻ¯āĻŧāĻžāĻ°ā§‡āĻ° āĻŦāĻŋāĻĒāĻ°ā§€āĻ¤ā§‡ āĻ¯āĻžāĻ¯āĻŧāĨ¤

4. āĻ•āĻ–āĻ¨āĻ‡ āĻ¨āĻž! āĻ¯ā§‡ āĻ–ā§āĻŦ āĻ•āĻ āĻŋāĻ¨ āĻšāĻŦā§‡. āĻ†āĻŽāĻŋ āĻ‰āĻĒāĻ°ā§‡ āĻ‰āĻ˛ā§āĻ˛ā§‡āĻ– āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻ†āĻ¯āĻŧāĻžāĻ¤āĻ—ā§āĻ˛āĻŋ āĻ…āĻŦāĻļā§āĻ¯āĻ‡ āĻŽā§āĻ•ā§āĻ¤ āĻāĻŦāĻ‚ āĻ¤āĻ°āĻ˛ āĻšāĻ¤ā§‡ āĻšāĻŦā§‡, āĻ¯āĻž āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ†āĻ¤ā§āĻŽāĻž āĻĨā§‡āĻ•ā§‡ āĻ†āĻ¸ā§‡ āĻ¤āĻž āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°ā§‡āĨ¤

5. āĻ†āĻŽāĻŋ āĻšā§āĻ¯āĻžāĻ āĻŦāĻ˛āĻŦāĨ¤ āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ¯ā§āĻ—, āĻ¯āĻ¤āĻ•ā§āĻˇāĻŖ āĻ¤āĻž āĻ­āĻŋāĻ¨ā§āĻ¨, āĻ­āĻŋāĻ¨ā§āĻ¨ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļ āĻĻā§āĻŦāĻžāĻ°āĻž āĻāĻ•āĻŸāĻŋ āĻŦāĻŋāĻļā§‡āĻˇ āĻ‰āĻĒāĻžāĻ¯āĻŧā§‡ “āĻ¸āĻžāĻ•ā§āĻˇā§€” āĻšāĻ¯āĻŧāĨ¤

6. āĻ‰āĻ­āĻ¯āĻŧ! āĻāĻ•āĻœāĻ¨ āĻšāĻ¨ āĻ¨āĻžāĻ¯āĻŧāĻ•, āĻ…āĻ¨ā§āĻ¯āĻœāĻ¨ āĻĒāĻ°āĻŋāĻšāĻžāĻ˛āĻ•āĨ¤ āĻ¸āĻŋāĻŽā§āĻŦāĻŋāĻ¯āĻŧāĻžāĻ¸āĻŋāĻ¸ā§‡ āĻ¯āĻžāĻ“āĻ¯āĻŧāĻžāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡, āĻ¤āĻžāĻ°āĻž āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻšāĻŋāĻ¨ā§āĻ¤āĻžāĻ­āĻžāĻŦāĻ¨āĻž, āĻ¸ā§āĻŦāĻĒā§āĻ¨, āĻĒā§āĻ°āĻ•āĻ˛ā§āĻĒāĻ—ā§āĻ˛āĻŋāĻ•ā§‡ āĻ¸ā§āĻĨāĻžāĻ¨ āĻĻāĻŋāĻ¤ā§‡ āĻāĻŦāĻ‚ āĻĒāĻ°āĻŋāĻšāĻžāĻ˛āĻ¨āĻž āĻ•āĻ°ā§‡ …

7. āĻ¯āĻ¤āĻ•ā§āĻˇāĻŖ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻāĻŸāĻŋ āĻĒā§āĻ°āĻ¸āĻžāĻ°āĻŋāĻ¤ āĻšāĻ¯āĻŧ, āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻāĻŽāĻ¨āĻ•āĻŋ āĻ…āĻ°ā§āĻ§-āĻ›āĻŋāĻ¨ā§āĻ¨ āĻ•āĻžāĻ—āĻœā§‡āĻ° āĻŸā§āĻ•āĻ°ā§‹āĻ¤ā§‡āĻ“, āĻāĻŸāĻŋ āĻāĻ–āĻ¨āĻ“ āĻœāĻ¨āĻĒā§āĻ°āĻŋāĻ¯āĻŧ āĻāĻŦāĻ‚ āĻŦāĻŋāĻ¤āĻ°ā§āĻ•āĻŋāĻ¤ āĻšāĻ¯āĻŧā§‡ āĻ“āĻ ā§‡, āĻāĻŸāĻŋ āĻ¸āĻ°ā§āĻŦāĻ¤ā§āĻ° āĻĒāĻ°āĻŋāĻšāĻŋāĻ¤āĨ¤

8. āĻāĻ•ā§‡āĻŦāĻžāĻ°ā§‡āĨ¤ āĻļā§āĻ˛ā§‹āĻ•āĻ—ā§āĻ˛āĻŋāĻ¤ā§‡ āĻ¸āĻ āĻŋāĻ• āĻ†āĻ˛ā§‹ āĻĻā§‡āĻ“āĻ¯āĻŧāĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻŸā§‹āĻ¨āĻžāĻ˛āĻŋāĻŸāĻŋ āĻ–ā§āĻŦ āĻ—ā§āĻ°ā§āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻāĻŦāĻ‚ āĻ¤āĻĻā§āĻŦāĻŋāĻĒāĻ°ā§€āĻ¤: āĻāĻ‡ āĻ†āĻ˛ā§‹ āĻ¨āĻž āĻĨāĻžāĻ•āĻ˛ā§‡ āĻŸā§‹āĻ¨āĻžāĻ˛āĻŋāĻŸāĻŋ āĻ…āĻ¨ā§āĻ§āĻ•āĻžāĻ° āĻšāĻ¯āĻŧā§‡ āĻ¯āĻžāĻŦā§‡, āĻāĻ° āĻ¸āĻžāĻĨā§‡ āĻ•āĻŦāĻŋāĻ¤āĻžāĻŸāĻŋ āĻ¨āĻŋāĻ¸ā§āĻ¤ā§‡āĻœ āĻšāĻ¯āĻŧā§‡ āĻ¯āĻžāĻŦā§‡, āĻ•ā§‹āĻ¨āĻ“ āĻŽāĻžāĻ§ā§āĻ°ā§āĻ¯ āĻ›āĻžāĻĄāĻŧāĻžāĻ‡ āĻāĻŸāĻŋ āĻ¤āĻžāĻ° āĻ…āĻ°ā§āĻĨ āĻāĻŦāĻ‚ āĻ¤āĻžāĻ¤ā§āĻĒāĻ°ā§āĻ¯ āĻ¸āĻŽā§āĻĒā§‚āĻ°ā§āĻŖāĻ­āĻžāĻŦā§‡ āĻšāĻžāĻ°āĻŋāĻ¯āĻŧā§‡ āĻĢā§‡āĻ˛āĻŦā§‡āĨ¤

9. āĻ†āĻŽāĻŋ āĻŽāĻ¨ā§‡ āĻ•āĻ°āĻŋ āĻāĻ•āĻœāĻ¨ āĻŽāĻšāĻŋāĻ˛āĻž āĻ¸āĻ¤ā§āĻ¤āĻžāĻ° āĻšā§‡āĻ¯āĻŧā§‡ āĻ—āĻ­ā§€āĻ°ā§‡ āĻ¯āĻžāĻ¯āĻŧāĨ¤ āĻ†āĻ°āĻ“ āĻŦā§‡āĻĻāĻ¨āĻž, āĻŦāĻŋāĻˇāĻŖā§āĻŖāĻ¤āĻž āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻ•āĻ°ā§‡, āĻ¤āĻŋāĻ¨āĻŋ āĻĒā§āĻ°āĻžāĻŖāĻŦāĻ¨ā§āĻ¤āĻ­āĻžāĻŦā§‡ āĻ¸āĻŽāĻ¸ā§āĻ¤ āĻœā§€āĻŦāĻ¨ āĻ¨āĻŋāĻœā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ…āĻĢāĻžāĻ° āĻ•āĻ°ā§‡āĻ¨āĨ¤

10. āĻ¯āĻĻāĻŋ āĻāĻŸāĻŋ āĻ¸āĻ¤ā§āĻ¯ āĻšāĻ¯āĻŧ, āĻ¤āĻžāĻšāĻ˛ā§‡ āĻŽāĻšāĻžāĻ•āĻžāĻļ āĻ†āĻ¸āĻ¤ā§‡ āĻŦā§‡āĻļāĻŋ āĻ¸āĻŽāĻ¯āĻŧ āĻ˛āĻžāĻ—āĻŦā§‡ āĻ¨āĻžāĨ¤

11. āĻ…āĻ¨ā§‡āĻ•āĨ¤ āĻĒā§āĻ°āĻžāĻšā§€āĻ¨ āĻ•āĻžāĻ˛ āĻĨā§‡āĻ•ā§‡, āĻāĻĄāĻŋ, āĻšā§‹āĻŽāĻžāĻ°āĻ°āĻžāĻ“ āĻ•āĻŦāĻŋāĻ¤āĻžāĻ•ā§‡ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻ•āĻ°ā§‡ āĻ¤ā§āĻ˛ā§‡āĻ›ā§‡, āĻļāĻ¤āĻžāĻŦā§āĻĻā§€āĻ° āĻĒāĻ° āĻļāĻ¤āĻžāĻŦā§āĻĻā§€ āĻĒā§‡āĻ°āĻŋāĻ¯āĻŧā§‡ āĻ†āĻœ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ•āĻžāĻ›ā§‡ āĻĒā§ŒāĻāĻ›ā§‡āĻ›ā§‡āĨ¤ āĻāĻŸāĻž āĻ•ā§āĻ˛āĻžāĻ¸āĻŋāĻ•ā§āĻ¯āĻžāĻ˛ āĻāĻŦāĻ‚ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻ• āĻ•āĻŦāĻŋāĻ¤āĻžāĻ° āĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡āĻ“ āĻĒā§āĻ°āĻ¯ā§‹āĻœā§āĻ¯āĨ¤

12. āĻ•ā§‡ āĻ˛ā§‡āĻ–ā§‡ āĻāĻŦāĻ‚ āĻ•ā§‡ āĻĒāĻĄāĻŧā§‡āĨ¤ āĻ•āĻŦāĻŋ āĻ“ āĻ˛ā§‡āĻ–āĻ• āĻāĻ•ā§‡ āĻ…āĻĒāĻ°āĻ•ā§‡ āĻ›āĻžāĻĄāĻŧāĻž āĻšāĻ˛āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡ āĻ¨āĻžāĨ¤

13. āĻ¸āĻŽāĻ—ā§āĻ° āĻŦāĻŋāĻļā§āĻŦ āĻ›āĻžāĻĄāĻŧāĻž. āĻ•āĻŦāĻŋāĻ¤āĻž āĻœā§€āĻŦāĻ¨, āĻĒā§āĻ°āĻ•ā§ƒāĻ¤āĻŋ, āĻ—āĻ¤āĻ•āĻžāĻ˛, āĻ†āĻœ, āĻ†āĻ—āĻžāĻŽā§€āĻ•āĻžāĻ˛āĨ¤

14. āĻ†āĻŽāĻžāĻ° āĻāĻ‡ āĻŦāĻŋāĻˇāĻ¯āĻŧā§‡ āĻ–ā§āĻŦ āĻœāĻŸāĻŋāĻ˛ āĻ…āĻ­āĻŋāĻœā§āĻžāĻ¤āĻž āĻ†āĻ›ā§‡ āĻ•āĻžāĻ°āĻŖ āĻ†āĻŽāĻŋ āĻļāĻ¤ āĻļāĻ¤ āĻ˛ā§‡āĻ–āĻ• āĻ…āĻ¨ā§āĻŦāĻžāĻĻ āĻ•āĻ°ā§‡āĻ›āĻŋāĨ¤ āĻ†āĻŽāĻŋ āĻ¸āĻŦāĻ¸āĻŽāĻ¯āĻŧ āĻ¤āĻžāĻĻā§‡āĻ° āĻŽā§ŒāĻ˛āĻŋāĻ•āĻ¤āĻž āĻ°āĻžāĻ–āĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻ•āĻžāĻ°āĻŖ āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ†āĻ¯āĻŧāĻžāĻ¤ā§‡ āĻ¤āĻžāĻĻā§‡āĻ° āĻ†āĻ¤ā§āĻŽāĻžāĻ° āĻāĻ•āĻŸāĻŋ āĻ…āĻ‚āĻļ āĻ°āĻ¯āĻŧā§‡āĻ›ā§‡āĨ¤ āĻ…āĻ¤āĻāĻŦ, āĻ¯āĻ¤ā§āĻ¨ āĻ¸āĻšāĻ•āĻžāĻ°ā§‡ āĻ…āĻ¨ā§āĻŦāĻžāĻĻ āĻ•āĻ°ā§‡, āĻĒā§āĻ°āĻ¯āĻŧā§‹āĻœāĻ¨ā§€āĻ¯āĻŧ āĻ¸āĻŽāĻ¯āĻŧ āĻ‰āĻĒāĻ˛āĻ­ā§āĻ¯ āĻ•āĻ°ā§‡, āĻ•āĻŦāĻŋāĻ¤āĻžāĻŸāĻŋ āĻ¯āĻ¤āĻ•ā§āĻˇāĻŖ āĻ¨āĻž āĻ…āĻ¨ā§āĻ¯ āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ “āĻ°āĻšāĻŋāĻ¤” āĻšāĻ¯āĻŧ āĻ¤āĻ¤āĻ•ā§āĻˇāĻŖ āĻ¤āĻžāĻ° āĻ¸āĻžāĻŽāĻžāĻ¨ā§āĻ¯ āĻŽā§ŒāĻ˛āĻŋāĻ•āĻ¤āĻž āĻšāĻžāĻ°āĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤

15. 4āĻŸāĻŋ āĻ•āĻŦāĻŋāĻ¤āĻž āĻ†āĻ›ā§‡ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŦāĻŋāĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻ•āĻŦāĻŋāĻ¤āĻžāĻŸāĻŋ āĻ¨āĻžāĻ°ā§€āĻ•ā§‡ āĻ‰ā§ŽāĻ¸āĻ°ā§āĻ— āĻ•āĻ°āĻž āĻšāĻ¯āĻŧā§‡āĻ›ā§‡: āĻŽāĻž, āĻŽā§‡āĻ¯āĻŧā§‡,

āĻŦā§‹āĻ¨, āĻ¸ā§āĻ¤ā§āĻ°ā§€, āĻŦāĻ¨ā§āĻ§ā§āĨ¤ āĻ†āĻļāĻž āĻ•āĻ°āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ•āĻžāĻŽāĻ¨āĻž āĻ•āĻ°āĻ›āĻŋ āĻ¯ā§‡ āĻ¤āĻŋāĻ¨āĻŋ āĻ†āĻ°āĻ“ āĻ¸ā§āĻ°āĻ•ā§āĻˇāĻŋāĻ¤ āĻāĻŦāĻ‚ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻšāĻŦā§‡āĻ¨,

āĻ•āĻžāĻ°āĻŖ āĻāĻ•āĻŦāĻŋāĻ‚āĻļ āĻļāĻ¤āĻžāĻŦā§āĻĻā§€āĻ¤ā§‡ āĻŦāĻ¸āĻŦāĻžāĻ¸ āĻ•āĻ°ā§‡āĻ“ āĻ¨āĻžāĻ°ā§€āĻšāĻ¤ā§āĻ¯āĻž, āĻĻā§āĻ°ā§āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻšāĻ¯āĻŧā§‡āĻ›ā§‡

āĻĻā§āĻ°ā§āĻ­āĻžāĻ—ā§āĻ¯āĻŦāĻļāĻ¤ āĻ•āĻŽā§‡āĻ¨āĻŋ āĻŦāĻ°āĻ‚ āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨āĻ‡ āĻŦāĻžāĻĄāĻŧāĻ›ā§‡āĨ¤

16. āĻ†āĻŽāĻŋ āĻ…āĻ¨ā§‡āĻ• āĻ•āĻŋāĻ›ā§ āĻŦāĻ˛āĻŦ, āĻŦāĻŋāĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻāĻ–āĻ¨ āĻ¯ā§‡ āĻ•āĻŽāĻŦā§‡āĻļāĻŋ āĻ¸āĻŦāĻžāĻ‡ āĻ˛ā§‡āĻ–ā§‡, āĻ¸āĻ‚āĻœā§āĻžāĻžāĻ¯āĻŧāĻŋāĻ¤ āĻ•āĻ°ā§‡

āĻ¤āĻžāĻĻā§‡āĻ° āĻĒāĻžāĻ ā§‡āĻ° āĻŦā§āĻ¯āĻžāĻ—ā§‡ āĻĻā§āĻŸāĻŋ āĻ•āĻŦāĻŋāĻ¤āĻž āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ¨āĻŋāĻœā§‡āĻĻā§‡āĻ°āĻ•ā§‡ āĻ•āĻŦāĻŋ āĻšāĻŋāĻ¸ā§‡āĻŦā§‡āĨ¤

17. āĻ†āĻ¤ā§āĻŽāĻž āĻāĻŦāĻ‚ āĻ†āĻ˛ā§‹āĻ¤ā§‡ āĻŽā§āĻ•ā§āĻ¤ āĻ¯ā§‡āĻ¨ āĻ†āĻŽāĻŋ āĻāĻ•āĻŸāĻŋ āĻĒāĻžāĻ˛āĻ•, āĻ•āĻžāĻ°āĻŖ āĻ†āĻ¯āĻŧāĻžāĻ¤ āĻāĻŦāĻ‚ āĻ†āĻ¯āĻŧāĻžāĻ¤ā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡

āĻ•āĻ°ā§āĻŽā§‡āĻ° āĻ†āĻ¯āĻŧāĻ¨āĻž āĻ†āĻ›ā§‡āĨ¤

18. āĻāĻŸāĻž āĻ¨āĻŋāĻ°ā§āĻ­āĻ° āĻ•āĻ°ā§‡… āĻ•āĻŋāĻ›ā§ āĻļā§āĻ˛ā§‹āĻ• āĻ†āĻ›ā§‡ āĻ¯āĻž āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ‰āĻ˛ā§āĻŸā§‡ āĻĻā§‡āĻ¯āĻŧ, āĻ•āĻŋāĻ›ā§ āĻ˛āĻŋāĻ–āĻŋāĻ¤ āĻāĻŦāĻ‚

āĻ¨āĻ¨-āĻ¸ā§āĻŸāĻĒ āĻĒāĻĄāĻŧā§āĻ¨, āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āĻ¯āĻ°āĻž āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻ…āĻ°ā§āĻ§-āĻŦā§‡āĻ• āĻ•āĻ°ā§‡ āĻ°ā§‡āĻ–ā§‡ āĻ¯āĻžāĻ¨āĨ¤

19. āĻ…āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦā§‡āĻ° āĻŦāĻžāĻ°ā§āĻ¤āĻžāĨ¤ āĻ•āĻžāĻ°āĻŖ āĻ•āĻŦāĻŋāĻ¤āĻž āĻšāĻ˛ āĻĒā§āĻŖā§āĻ¯, āĻāĻŸāĻŋ āĻ¸ā§‡āĻ‡ āĻĒāĻĨ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ†āĻŽāĻ°āĻž āĻšāĻžāĻāĻŸāĻžāĻ° āĻĒāĻĨ āĻ†āĻ—ā§‡ āĻ•āĻ–āĻ¨ā§‹ āĻ…āĻ¨ā§āĻŦā§‡āĻˇāĻŖ āĻ•āĻ°āĻŋāĻ¨āĻŋāĨ¤

 20. āĻāĻŸāĻŋ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻļā§‡āĻˇ āĻšāĻ¯āĻŧ āĻ¸ā§‡āĻ–āĻžāĻ¨ā§‡āĻ‡ āĻļā§āĻ°ā§ āĻšāĻ¯āĻŧ āĻ•āĻžāĻ°āĻŖ āĻāĻŸāĻŋ āĻŦāĻŋāĻ•āĻžāĻļ āĻ•āĻ°ā§‡ āĻ¨āĻž, āĻāĻŸāĻŋ āĻ¸ā§āĻĨāĻžāĻ¨ āĻĒāĻžāĻ¯āĻŧ āĻ¨āĻž, āĻ—āĻ¨ā§āĻ¤āĻŦā§āĻ¯āĻ“ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžāĻ¯āĻŧ āĻ¨āĻžāĨ¤ āĻ†āĻĒāĻ¨āĻŋ 50 āĻŦāĻ›āĻ° āĻŦāĻ¯āĻŧāĻ¸ā§‡ āĻĒā§ŒāĻāĻ›āĻžāĻ¨ā§‹āĻ° āĻ¸āĻŽāĻ¯āĻŧ, āĻ¸āĻ‚āĻļāĻ¯āĻŧ āĻ¨ā§‡āĻ‡, āĻāĻŸāĻŋ āĻ…āĻ°ā§āĻ§-āĻļāĻ¤āĻ• āĻĒāĻ°āĻŋāĻĒāĻ•ā§āĻ•āĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ…āĻĻā§ƒāĻļā§āĻ¯ āĻšāĻ¯āĻŧā§‡ āĻ¯āĻžāĻ¯āĻŧāĨ¤

 (āĻŦāĻ‡ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ•ā§‡)

 1. āĻ…āĻ¨ā§‡āĻ• āĻ¤ā§āĻ¯āĻžāĻ—ā§‡āĻ° āĻ¸āĻžāĻĨā§‡, āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻāĻŽāĻ¨āĻ•āĻŋ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡, āĻ˜ā§āĻŽ, āĻ–āĻžāĻŦāĻžāĻ°, āĻšāĻžāĻāĻŸāĻž, āĻāĻ•āĻ‡ āĻ¸āĻŽāĻ¯āĻŧā§‡ āĻŦāĻŋāĻ¸āĻ°ā§āĻœāĻ¨ āĻĻāĻŋāĻ¯āĻŧā§‡āĨ¤

 2. āĻ…āĻ¨ā§‡āĻ• āĻŽāĻ¨ā§‹āĻ¯ā§‹āĻ— āĻ¸āĻšāĻ•āĻžāĻ°ā§‡ āĻĒāĻĄāĻŧāĻž āĻ¸āĻšāĻžāĻ¯āĻŧāĻ• āĻ›āĻŋāĻ˛āĨ¤ āĻŽāĻšāĻžāĻ¨ āĻ˛ā§‡āĻ–āĻ•, āĻ•ā§āĻ˛āĻžāĻ¸āĻŋāĻ• āĻāĻŦāĻ‚ āĻ¸āĻŽāĻ¸āĻžāĻŽāĻ¯āĻŧāĻŋāĻ•āĻĻā§‡āĻ° āĻĨā§‡āĻ•ā§‡ āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻāĻ•āĻ• āĻ…āĻ•ā§āĻˇāĻ°, āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ›āĻĄāĻŧāĻž, āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ˛āĻžāĻ‡āĻ¨ āĻļā§‹āĻˇāĻŖ āĻāĻŦāĻ‚ āĻ•ā§āĻ¯āĻžāĻĒāĻšāĻžāĻ° āĻ•āĻ°āĻžāĨ¤ āĻ¸āĻŦāĻšā§‡āĻ¯āĻŧā§‡ āĻ…āĻ°ā§āĻĨā§‹āĻĒāĻžāĻ°ā§āĻœāĻŋāĻ¤ āĻāĻŦāĻ‚ āĻ¸āĻŦāĻšā§‡āĻ¯āĻŧā§‡ āĻ•āĻŽ āĻ‰āĻĒāĻ¯ā§‹āĻ—ā§€ āĻšāĻ˛ āĻāĻ•āĻŸāĻŋ āĻ‰āĻĒāĻ¯ā§āĻ•ā§āĻ¤ āĻĒā§āĻ°āĻ•āĻžāĻļāĻ¨āĻž āĻ˜āĻ°ā§‡āĻ° āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ā§‡ āĻšāĻžāĻ°āĻŋāĻ¯āĻŧā§‡ āĻ¯āĻžāĻ“āĻ¯āĻŧāĻžāĨ¤

 3. āĻ†āĻŽāĻžāĻ° āĻ…āĻ¨ā§‡āĻ• āĻĒā§āĻ°āĻŋāĻ¯āĻŧ āĻ˛ā§‡āĻ–āĻ• āĻ†āĻ›ā§‡āĻ¨, āĻ¤āĻŦā§‡ āĻ†āĻŽāĻŋ āĻŦāĻŋāĻļā§‡āĻˇāĻ­āĻžāĻŦā§‡ āĻāĻ•āĻœāĻ¨āĻ•ā§‡ āĻ¨āĻŋāĻ°ā§āĻĻā§‡āĻļ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻžāĻ‡: āĻĄā§āĻ¯āĻžāĻ¨āĻŋāĻ¯āĻŧā§‡āĻ˛ āĻ¸ā§āĻŸāĻŋāĻ˛āĨ¤ āĻ–ā§āĻŦ āĻ°ā§‹āĻŽāĻžāĻ¨ā§āĻŸāĻŋāĻ• āĻāĻŦāĻ‚ āĻĒāĻĄāĻŧāĻ¤ā§‡ āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧāĻ•āĻ°. āĻ†āĻļā§āĻšāĻ°ā§āĻ¯āĻœāĻ¨āĻ• āĻāĻŦāĻ‚ āĻĻā§āĻ°ā§āĻĻāĻžāĻ¨ā§āĻ¤āĻ­āĻžāĻŦā§‡ āĻ¤āĻžāĻāĻ° āĻŦāĻ‡āĻ¯āĻŧā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ†āĻāĻ•āĻžāĻ° āĻ‰āĻĒāĻžāĻ¯āĻŧ āĻ†āĻŽāĻžāĻ° āĻ˛ā§‡āĻ–āĻžāĻ° āĻ…āĻ¨ā§āĻĒā§āĻ°ā§‡āĻ°āĻŖāĻž āĻšāĻ¯āĻŧā§‡ āĻ‰āĻ ā§‡āĻ›ā§‡āĨ¤

 4. āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¤ā§‡ āĻ†āĻŽāĻžāĻ° āĻ¨āĻ¤ā§āĻ¨ āĻ•āĻŦāĻŋāĻ¤āĻžāĻ° āĻŦāĻ‡ āĻŦā§‡āĻ° āĻšāĻšā§āĻ›ā§‡, āĻ¤āĻžāĻ°āĻĒāĻ° āĻ†āĻŽāĻžāĻ° āĻšāĻžāĻ¤ā§‡ āĻĨāĻžāĻ•āĻž āĻ¨āĻ¤ā§āĻ¨ āĻ‰āĻĒāĻ¨ā§āĻ¯āĻžāĻ¸āĻŸāĻŋ āĻļā§‡āĻˇ āĻ•āĻ°āĻŦāĨ¤ āĻāĻ° āĻŦāĻžāĻ‡āĻ°ā§‡, āĻ†āĻŽāĻžāĻ•ā§‡ āĻāĻ•āĻŸāĻŋ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻ°ā§‚āĻĒāĻ•āĻĨāĻž āĻļā§‡āĻˇ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤

 5. āĻ†āĻŽāĻŋ āĻ¨āĻŋāĻœā§‡āĻ‡ āĻāĻ•āĻŸāĻŋ āĻĒāĻ¤ā§āĻ°āĻŋāĻ•āĻž āĻ–ā§āĻ˛āĻ›āĻŋ, āĻāĻ‡āĻ­āĻžāĻŦā§‡ āĻ¸ā§‡āĻ‡āĻ¸āĻŦ āĻ•āĻŦāĻŋāĻĻā§‡āĻ° āĻ¸ā§āĻĨāĻžāĻ¨ āĻĻāĻŋāĻšā§āĻ›āĻŋ āĻ¯āĻžāĻ°āĻž āĻŦāĻŋāĻ¸ā§āĻŽāĻ¯āĻŧāĻ•āĻ° āĻļā§āĻ˛ā§‹āĻ• āĻ°āĻšāĻ¨āĻž āĻ•āĻ°ā§‡āĻ›ā§‡āĻ¨, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻĻāĻ°āĻœāĻž āĻ¸āĻ°ā§āĻŦāĻ¤ā§āĻ° āĻŦāĻ¨ā§āĻ§āĨ¤

 6. āĻ†āĻŽāĻžāĻ° āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋāĻ—āĻ¤ āĻ…āĻ­āĻŋāĻœā§āĻžāĻ¤āĻž. āĻŸāĻžāĻ¨āĻž āĻšāĻžāĻ°āĻŸāĻŋ āĻĻā§€āĻ°ā§āĻ˜ āĻŦāĻ›āĻ° āĻ§āĻ°ā§‡ āĻ—ā§āĻ°ā§āĻ¤āĻ° āĻ…āĻ¸ā§āĻ¸ā§āĻĨ āĻĨāĻžāĻ•āĻžāĻ° āĻ•āĻžāĻ°āĻŖā§‡, āĻ†āĻŽāĻžāĻ° āĻšā§‡āĻ¤āĻ¨āĻž āĻ…āĻ¨ā§‡āĻ• āĻ•āĻˇā§āĻŸ āĻĒā§‡āĻ¯āĻŧā§‡āĻ›āĻŋāĻ˛āĨ¤

 7. āĻ†āĻŽāĻŋ āĻļāĻžāĻ¨ā§āĻ¤ āĻ†āĻšāĻ°āĻŖ āĻ•āĻ°āĻŋāĨ¤ āĻĒā§āĻ°āĻœā§āĻžāĻž āĻ¸ā§‡āĻ‡ āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¨āĻŋāĻšāĻŋāĻ¤ āĻ¯ā§‡ āĻ†āĻŦā§‡āĻ—āĻ•ā§‡ āĻĻāĻŽāĻ¨ āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĨ¤ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻāĻ‡ āĻ­āĻžāĻŦā§‡ āĻ†āĻŽāĻ°āĻž āĻ•āĻ āĻŋāĻ¨ āĻĒāĻ°āĻŋāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋ āĻŽā§‹āĻ•āĻžāĻŦā§‡āĻ˛āĻž āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨. āĻāĻŦāĻ‚ āĻ¤āĻžāĻ°āĻĒāĻ°ā§‡ āĻĒā§āĻ°āĻžāĻ°ā§āĻĨāĻ¨āĻžāĻ“ āĻ°āĻ¯āĻŧā§‡āĻ›ā§‡, āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨ āĻ…āĻ¨ā§āĻŽāĻžāĻ¨ āĻ•āĻ°āĻž āĻšāĻ¯āĻŧ āĻāĻŦāĻ‚ āĻ•ā§‡āĻŦāĻ˛ āĻ•āĻ āĻŋāĻ¨ āĻĒāĻ°āĻŋāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋāĻ¤ā§‡āĻ‡ āĻ¨āĻ¯āĻŧāĨ¤

 8. āĻ†āĻŽāĻžāĻ° āĻ•ā§‹āĻ¨ āĻ…āĻ¨ā§āĻĒāĻžāĻ¤ āĻŦāĻž āĻ¨āĻŋāĻ¯āĻŧāĻŽ āĻ¨ā§‡āĻ‡āĨ¤ āĻ†āĻŽāĻŋ āĻ¤āĻžāĻ¤ā§āĻ•ā§āĻˇāĻŖāĻŋāĻ•āĻ­āĻžāĻŦā§‡ āĻ¸āĻŋāĻĻā§āĻ§āĻžāĻ¨ā§āĻ¤ āĻ¨āĻŋāĻ‡, āĻāĻŽāĻ¨ āĻ•āĻŋāĻ›ā§ āĻĻāĻŋāĻ¯āĻŧā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻ¯āĻž āĻ†āĻŽāĻžāĻ•ā§‡ āĻ—āĻ­ā§€āĻ°āĻ­āĻžāĻŦā§‡ āĻ†āĻ˜āĻžāĻ¤ āĻ•āĻ°ā§‡, āĻ¤āĻžāĻ°āĻĒāĻ° āĻ†āĻŽāĻŋ āĻļā§āĻ˛ā§‹āĻ• (āĻ•āĻŦāĻŋāĻ¤āĻž), āĻŦāĻž āĻĒāĻžāĻŖā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ (āĻ‰āĻĒāĻ¨ā§āĻ¯āĻžāĻ¸) āĻ āĻŦāĻŋāĻļāĻĻ āĻŦāĻ°ā§āĻŖāĻ¨āĻž āĻ•āĻ°āĻŋāĨ¤

 9. āĻ¸ā§‹āĻļā§āĻ¯āĻžāĻ˛ āĻŽāĻŋāĻĄāĻŋāĻ¯āĻŧāĻž āĻ¸āĻžāĻ‡āĻŸāĻ—ā§āĻ˛āĻŋāĻ•ā§‡ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ, āĻāĻŸāĻŋ āĻĒā§āĻ°āĻžāĻ¯āĻŧāĻļāĻ‡ āĻ˜āĻŸā§‡āĨ¤ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĒā§āĻ°āĻļāĻ‚āĻ¸āĻžāĻ‡ āĻ¨āĻ¯āĻŧ, āĻ¤ā§āĻ˛āĻ¨āĻž, āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻž, āĻļā§‡āĻ¯āĻŧāĻžāĻ° āĻĒāĻžāĻ“āĻ¯āĻŧāĻž āĻ¸āĻ¤ā§āĻ¯āĻŋāĻ‡ āĻ¸āĻ¨ā§āĻ¤ā§‹āĻˇāĻœāĻ¨āĻ•āĨ¤

 10. āĻāĻ•āĻœāĻ¨ āĻ˛ā§‡āĻ–āĻ•, āĻ•āĻŦāĻŋ āĻāĻŦāĻ‚ āĻĒā§āĻ°āĻžāĻŦāĻ¨ā§āĻ§āĻŋāĻ• āĻšāĻ“āĻ¯āĻŧāĻžāĻ° āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻ†āĻŽāĻŋ āĻāĻ•āĻœāĻ¨ āĻĒā§āĻ°āĻšāĻžāĻ°āĻ•āĻ“āĨ¤ āĻ†āĻŽāĻŋ āĻĒā§āĻ°āĻšā§āĻ° āĻ•āĻŦāĻŋāĻ¤āĻž āĻŦāĻž āĻ—āĻĻā§āĻ¯ āĻĒāĻĄāĻŧāĻŋ āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āĻŦāĻžāĻĻ āĻ•āĻ°āĻŋ, āĻ¸āĻŽā§āĻĒāĻžāĻĻāĻ¨āĻžāĻ“ āĻ•āĻ°āĻŋāĨ¤

āĻ¸āĻŦāĻžāĻ‡āĻ•ā§‡ āĻ…āĻ¨ā§‡āĻ• āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ!

āĻŦāĻžāĻ‚āĻ˛āĻž āĻ­āĻžāĻˇāĻžāĻ¨ā§āĻ¤āĻ° āĻ•āĻŦāĻŋ āĻŽā§‹āĻƒ āĻ¸āĻžāĻĻāĻŋāĻ•ā§āĻ° āĻ°āĻšāĻŽāĻžāĻ¨ āĻ°ā§āĻŽā§‡āĻ¨

Bangla Translated by Poet, Md. Sadiqur Rahman Rumen Bangladesh.

Editor In Chief-PEN CRAFT.

Published by, Tamikio L. Dooley Michigan America.

Editor In Chief-PEN CRAFT literature.

āĻ¸āĻ‚āĻŦāĻžāĻĻāĻŸāĻŋ āĻļā§‡ā§ŸāĻžāĻ° āĻ•āĻ°ā§āĻ¨

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